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題名 | 史傳與地方戲的關涉--談河洛歌子戲《秋風辭》的寫作資糧=The "Qiu Feng Ci" by Holo Taiwanese Drama Troupe Inculcate Historical Facts and Traditional Local Opera |
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作者 | 李名媛; | 書刊名 | 朝陽人文社會學刊 |
卷期 | 14:1 2016.06[民105.06] |
頁次 | 頁41-59 |
分類號 | 983.33 |
關鍵詞 | 巫蠱之禍; 河洛歌子戲; 秋風辭; 新編歷史劇; 漢武帝; The puppet witchcraft in Han Dynasty; Holo Taiwanese drama troupe; Qiu Feng Ci; New historical drama; Emperor Wu of Han; |
語文 | 中文(Chinese) |
中文摘要 | 河洛歌子戲的《秋風辭》,係根據漢武帝時期的巫蠱之禍敷演而成,並以漢武帝之作〈秋風辭〉為之命名,乃由流行於福建省莆田、仙遊二縣及閩中、閩南興化語地區的莆仙戲劇本之一《秋風辭》進行改編之作。本文透過探討河洛歌子戲《秋風辭》對《史記》、《漢書》、《左傳》、《詩經》等經傳、史籍與莆仙戲《秋風辭》的繼承與改編,並分析《秋風辭》的表演特色與語言風格,期能更透徹明瞭《秋風辭》一劇與歷史的關聯及其文學本質。 |
英文摘要 | Holo Taiwanese Drama “Qiu Feng Ci” , according to The puppet witchcraft in Han Dynasty when happened in Emperor Wu of Han. This article through to explore Holo Taiwanese Drama “Qiu Feng Ci ” on the “Shi-Ji” , “Han-Shu” , “Zuo-Chuan” “Shi-Jing” these historical records and a traditional local opera called Puxian Opera “Qiu Feng Ci” inheritance and adaptation, analyzing “Qiu Feng Ci” performance characteristics and style of language, for those the above , we can understand the nature of a literary and historical drama in “Qiu Feng Ci”. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。