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題 名 | 新/後鄉土文本的再現與認同--以夏夏的小說《煮海》、劇本《煮海的人》為例=Representation and Identity of New/Post Country Literature--Case in Xiaxia's Novel "Boiling the Sea"、the Play "The One Boiling the Sea" |
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作 者 | 顏嘉琪; | 書刊名 | 健行學報 |
卷 期 | 36:2 2016.04[民105.04] |
頁 次 | 頁63-78 |
分類號 | 823.8 |
關鍵詞 | 新鄉土文學; 後鄉土文學; 中國敘事; 臺灣敘事; 海洋文學; 煮海; 煮海的人; Boiling the Sea; Chinese ideology; Taiwan ideology; New country literature; Post country literature; Ocean literature; The One Boiling the Sea; |
語 文 | 中文(Chinese) |
中文摘要 | 90 年代的鄉土文學作品相較於70 年代鄉土文學的寫實主義形式,有著寫實性模糊、地方性加強、生態意識、非線性時間、浪漫多元等特色。夏夏改編元曲雜劇《張生煮海》的小說《煮海》,解構了中國神話,重構出一則台灣鄉土敘事,上一代的中國/台灣敘事到了這一代成為本島/離島敘事。而劇本《煮海的人》透過將戲劇與地方文化聯結起來,不僅避開複雜的國族認同,進而呼應民間與官方經營地方特色的需求。本文將小說《煮海》放在「新∕後鄉土文學」、「海洋文學」的脈絡上討論,期能理解90 代以後這波新∕後鄉土文學所反映的政治與文化意涵。同時,也對新∕後鄉土文學的定義和框架,提出一些建議。 |
英文摘要 | The local literature works in the90s,compared with those in the70s,feature as the following: vague realism, strengthening locality, ecological awareness ,non-linear timeline, romanticism, diversity and so on. Xiaxia's novel "boiling the Sea", adopted from Yuan Dynasty theater "Zhangsheng boiling the sea", deconstructs Chinese mythology, reconstructing a piece of Taiwanese local narration. The once commonly seen "Chinese/Taiwan" ideology in the last generation has become an "inland/outskirts islet" one. And the play "The one boiling the sea" connects drama with local culture, which not only evades complicated nation identity but further resonates with the call for creating local specialties from both the mass and the government authorities. This article aims to discuss the novel "The one boiling the sea" in the context of "new/post country literature" and "Ocean literature" in order to understand the political and cultural implications reflected within the new/post country literature budding after the 90s. Meanwhile, the article serves to offer some suggestions about how to define and locate our so-called "new/post country literature." |
本系統中英文摘要資訊取自各篇刊載內容。