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題名 | 從那些人、那些事重看余承堯的崛起=Re-thinking the Rise of Yu Cheng-Yao |
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作 者 | 張毓婷; | 書刊名 | 國立歷史博物館學報 |
卷期 | 52 2015.12[民104.12] |
頁次 | 頁4-15 |
分類號 | 940.9933 |
關鍵詞 | 余承堯; 60至80年代; Yu Cheng-Yao; The 60's; The 70's; The 80's; |
語文 | 中文(Chinese) |
中文摘要 | 由80年代至今,雖不乏余承堯的各種評論、訪談及專書,但隨著新的史料陸續建構,卻發現不少缺漏、牴觸或謬誤。本文試圖在余承堯60至80年代崛起過程中,重新檢視與他生命史所交集的幾位重要人士,透過傳記、評論及報導等文獻之照應,梳理出以下幾條形塑余承堯蛻變為知名畫家的主要關鍵歷程: 一、60年代,在黃君璧的鼓勵及梁在平的推崇下,再透過李鑄晉策展使其作品躋身國際舞臺,遂引起各方學者、藝術家的注意與肯定,奠定堅實踏入畫壇之一步。 二、70年代,幾件重要代表作均完成於此,並結識王季遷,種下日後與臺灣藝壇連結的種子。 三、80年代,一場與徐小虎、何懷碩的會面,開啟了余氏山水評論的濫觴,後於雄獅畫廊揭開傳奇畫家序幕,終在國立歷史博物館坐穩美術史特殊地位。 |
英文摘要 | Since the 80's, abundant critiques, interviews and books about Yu Cheng-Yao had been published. However, as the updated historical materials have been constructed, many gaps, conflicts or fallacy has been found in the previous writings. The research aims to re-examine Yu's interactions with certain people during his emergence from the 60's to 80's, by reviewing related biography, reviews and reports and other documents, so as to re-construct 3 major phases of Yu's becoming a famous artist. In the 60's, with the encouragement of Huang Chun-Pi, the recognition of Liang Zai-Ping, and via the arrangement of Li Chu-Tsing, Yu had been introduced to the public through group exhibitions, cast into the international arena, and received attention and affirmation form scholars and artists. It could be seen as the first solid step into the painting circles. In the 70's, Yu had completed several signature pieces. Also he got to know C. C. Wang, so as to prepare himself the future connection with the Taiwan art circle. In the 80's, an encounter with Joan Stanley-Baker and Ho Huai-Shuo had started critiques of Yu's landscape works, led to his solo exhibitions in Lion Art Gallery, and end up secured his special status in art history by the National Museum of History. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。