查詢結果分析
來源資料
相關文獻
- 戰後臺灣文學典範的建構與挑戰:從魯迅到于右任--兼論新/舊文學地位的消長
- 南社詩人多奇才(2):陳其美、徐自華姊妹、呂碧城、張默君、葉楚傖、于右任
- 翻譯與階級鬥爭:論1929年魯迅與梁實秋的論爭
- 革命陣營的內部論爭﹖--分析1928年革命文學論爭魯迅成為攻擊目標的原因
- 魯迅.中國新興版畫.臺灣四0年代左翼版畫(上)
- 黨國元老于右任
- 阿Q之怒:失序的價值重估與自我毒化的自欺
- 世紀末的回顧之三:魯迅自道「中國小說史略」之得失
- 中國/臺灣的娜拉哪裡去?--從魯迅的「娜拉走後怎樣」談廖輝英的「油麻菜籽」,兼比較魯迅「祝福」與「傷逝」筆下的女性困境
- 于右任在中國書史上的文化價值--兼談中國書藝研究方法之開拓
頁籤選單縮合
題名 | 戰後臺灣文學典範的建構與挑戰:從魯迅到于右任--兼論新/舊文學地位的消長=Paragons of Post-war Taiwan Literature: Lu Xun to Yu Yu-jen with Rise and Decline of Classical and Modern Literature |
---|---|
作者姓名(中文) | 黃美娥; | 書刊名 | 臺灣史研究 |
卷期 | 22:4 2015.12[民104.12] |
頁次 | 頁123-166 |
分類號 | 863 |
關鍵詞 | 于右任; 魯迅; 曾今可; 戰後臺灣文學; 南社; Yu Yu-jen; Lu Xun; Tseng Jin-ko; Post-war Taiwan literature; Nan Sheh; |
語文 | 中文(Chinese) |
中文摘要 | 有關戰後臺灣文學,一個為人所知悉的現象是魯迅風潮的出現,但是除此之外,革命元老于右任與臺灣文學實亦具有密切關係。為了深究于氏在臺文學角色,本文首先說明曾與魯迅發生筆戰的曾今可,如何協助于氏成為詩人典範;次而闡述因之牽涉的左/右翼文學典範更迭,及其與臺灣舊詩、古典文學地位升降的關連性;最後則是介紹于氏在臺倡議的詩學主張內容與文學史意義。大抵,本文藉由掘發于右任在戰後臺灣詩壇的地位,進以彰顯其為戰後臺灣文學新秩序的重構所帶來的刺激與影響作用,期盼有助深刻掌握戰後臺灣文學的生態樣貌與深層結構。其中,由曾今可與于右任兩位南社成員對於戰後臺灣詩壇的介入與經營,則或可視為中國革命著名文學團體「南社」在臺灣的精神延續的一個側面,值得細加玩味。 |
英文摘要 | A well-known phenomenon of post-war Taiwan literature is the predominance of Lu Xun. In contrast, Yu Yu-jen, a revolutionary veteran who also had lots of influence on Taiwan literature, did not get due attention. This article first traces how Yu became a paragon of poetry in post-war Taiwan with the help of Tseng Jin-ko who had polemics with Lu. It also explores how the alternate emergence of modern left/right-wing literary models was related to the rise and decline of classical poetry and classical literature in Taiwan. Finally, the article elucidates Yu’s perspectives on poetry and their significance in the history of literature. Re-evaluating the importance of Yu on the poetry scene in post-war Taiwan highlighted the stimulation and impact he had brought to Taiwan literature, which was being reformed in that era. Moreover, it offers insight into the deep structure and ecology of post-war Taiwan literature. Furthermore, as members of the famous Chinese revolutionary literary group “Nan Sheh”, Tseng and Yu’s involvement and engagement in the post-war Taiwan poetry arena can be viewed as a continuation of the “Nan Sheh” spirit in Taiwan. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。