頁籤選單縮合
題名 | 應用「同伴動物」概念於家具設計之創作=Furniture Design Applying the Concept of Companion Animal |
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作 者 | 李明穎; 朱旭建; | 書刊名 | 實踐設計學報 |
卷期 | 9 2015.11[民104.11] |
頁次 | 頁310-334 |
分類號 | 474.31 |
關鍵詞 | 同伴動物; 動畫角色; 動物形象; 家具設計; Companion animal; Animation character; Animal image; Furniture design; |
語文 | 中文(Chinese) |
中文摘要 | 人類飼養寵物的人口不斷增加,「同伴動物」逐漸取代了「寵物」,成為生活中動物陪伴角色的新名詞。然而現代生活中,「家」的概念除了有生命的同伴之外,看似無生命的「家具」,也是居住者與居住空間中關係和情境建構的重要物件。本創作以「同伴動物」的概念為家具設計的設計理念,期望賦予家具新的趣味與生命。本創作觀察與分析動畫電影中「同伴動物」的精神,並進一步了解人與寵物的情感連結因素,分析動物造形設計的作品案例,最後發展出「同伴動物」概念應用於家具產品的設計原則。實體創作則以台灣的哺乳動物為選角,參考動畫角色設計法則,運用本地的天然材料,提出兩件設計創作—以「台灣水鹿」與「台灣土狗」為角色的動物造形家具產品。 |
英文摘要 | Nowadays in our society there are more and more people who have pets, the concept of the “companion animal” has developed, gradually taking over the term of “pet”, and become the new name of the animal in our life. In the current society, the definition of “home” not only includes the living companion animals, but also the non-living objects, such as furniture. Those non-living furniture has also become the important object to compose the interaction and the atmosphere between the tenants and their living environments. This design series will focus on the concept of "companion animal" as the spirits of creation, with hope to create the interesting "living" furniture under this concept. In this design, We will observe and analyze this concept from the animation. Secondly, we will investigate the emotional connection between human and their pets and analyze the "animal-like" design works to develop the concept of "Companion Animal" to apply on the furniture design finally. The actual design will use Taiwanese mammal as subjects applying with the design principle developed from the animal characters in the animation. Using local and natural materials, we will present two designs of animal-model furniture, one using Formosan Sambar and one using Formosa mountain dog as the characters. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。