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| 題 名 | 史博館藏輝縣琉璃閣甲乙墓出土春秋玉器之龍紋飾初探=A Preliminary Survey of Dragon Patterns on the NMH Jade Artifacts from Jia Yi Tombs |
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| 作 者 | 高以璇; | 書刊名 | 國立歷史博物館學報 |
| 卷 期 | 51 2015.07[民104.07] |
| 頁 次 | 頁40-89 |
| 分類號 | 794.4 |
| 關鍵詞 | 輝縣琉璃閣甲乙墓; 春秋玉器; 龍紋飾; 龍母題; 國立歷史博物館; Jia Yi Tombs of Liulige; Huixian; Spring and Autumn Jade Artifacts; Dragon Patterns; Dragon Motif; National Museum of History; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 「龍母題」的工藝創作歷經七千年,至今「龍紋」仍為中華民族文化最顯明的代表圖騰。河南輝縣琉璃閣甲乙墓出土的春秋玉器,質美工精,呈現深厚的文化內涵。以龍為紋飾母題(龍母題)古代玉器創作上的意義與風格,可以呈顯出哪些時代的面向?本文試以國立歷史博物館藏輝縣琉璃閣甲乙墓出土的玉器,兼採同時期鄰近地域如:河南新鄭李家樓古墓、琉璃閣60號墓出土玉器,來探究「龍母題」在春秋時代的運用風格與象徵意義。 |
| 英文摘要 | Dragon patterns have long been regarded as the representative element of the Chinese culture and civilization. Jade artifacts excavated from the Jia Yi Tombs in Liulige, Huixian, Henan, belong to the Spring and Autumn period and have deep cultural significances. Decorative motifs of Dragon have variety of significances and evolve into a wide range of styles. This paper will start by examining jade artifacts from Jia Yi Tombs as well as jade artifacts from other areas in Henan and try to trace a common style and significance of dragon motif in Spring and Autumn period. |
本系統中英文摘要資訊取自各篇刊載內容。