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題名 | 由《神聖之音IV》的演奏法觀點淺談平義久長笛作品中的幾個音樂語法特色=Discussion on Some Musical Language Characters of Yoshihisa Taira through Interpretation of Hiérophonie IV for Flute Solo |
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作者姓名(中文) | 陳惠湄; | 書刊名 | 關渡音樂學刊 |
卷期 | 22 2015.07[民104.07] |
頁次 | 頁81-100 |
分類號 | 918.1 |
關鍵詞 | 平義久; 長笛獨奏曲; 神聖之音; 日本作曲家; Taira; Flute solo piece; Hiérophonie; Japanese composer; |
語文 | 中文(Chinese) |
中文摘要 | 創作於1969到1975年之間的《神聖之音》(Hiérophonies)系列可說是旅法日本作曲家平義久(Yoshihisa Taira, 1937-2005)音樂創作生涯的起點,也是他摸索出自己音樂語言的指標性作品。本論文擬探討此系列中的第四首作品-為長笛家族樂器所作的獨奏曲《神聖之音Ⅳ》(Hiérophonie Ⅳ, 1971)。透過演奏法觀點檢視《神聖之音Ⅳ》中所展現的一些音樂語法特色,除了希望能對瞭解平義久的音樂有所幫助之外,也期望能夠吸引更多愛樂者與演奏者親近這位作曲家的作品。 |
英文摘要 | "Hiérophonie IV" (1971) for flute solo written by the Japanese composer Yoshihisa Taira (1937, Tokyo-2005, Paris) is included in a series of his representative works under the same title. From a point of view of interpretation, I shall try to reveal some characters of his musical language by tracing the special aspects presented in the piece. I will also try to discuss some common concerns, the comparable aesthetics, and musical thinking shared by the composers of his generation demonstrated in their musical works for flute solo; in spite of the differences of their cultural heritages, this will hopefully help in the interpretation and appreciation of Taira's music. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。