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題 名 | 試論當代文學作家的「臉書」策略及其創作現象=The Strategy of Facebook and Its Creation in the Contemporary Literature |
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作 者 | 徐禎苓; | 書刊名 | 嘉大中文學報 |
卷 期 | 10 2015.03[民104.03] |
頁 次 | 頁63-88 |
分類號 | 312.1693 |
關鍵詞 | 傳播; 臉書策略; 創作現象; 當代文學; Communication; Facebook; The strategy of Facebook; Creation; Contemporary literature; |
語 文 | 中文(Chinese) |
中文摘要 | 伊始於網路發達,復又因手機、平板電腦普及,當代文學因應此番潮流,不再侷限於紙本,網路亦成為創作發表的方式。尤其,臉書的出現,使得文學有了一大革新。從幾方面觀察:第一,臉書織連起一張無邊界的人際網絡,文章可能因為讀者按讚、轉發等,使得作品迅速傳播。第二,臉書的時效性,作家可以隨時貼出每日的心情札記或創作筆記等,相應作者貼文後,讀者能迅速瀏覽,透過臉書按讚或回應,和作家進行即時性的對話,打造一條親炙作家的管道。第三,臉書不同於微博限制發文字數,故能完整刊載一首詩、一篇散文、一則短篇小說等,篇幅無限,暢所欲言。當代文學因應讀者、環境丕變,創作形式與管道跟著轉折,文學從而延展出一套「臉書」策略。本文主要鎖定作家臉書上的文學創作為討論範疇,欲透過臉書文學勘探當代作家如何操演網路策略,進而推知另類的創作現象。 |
英文摘要 | Howthe cell-phone and tablet PC have become popular could shape the creation and the way of publish in the contemporary literature. The contemporary literature might not limit to write down the paper but in the internet. Facebook particularly causes the transformation in creation. There are several ways to see: First, people connect each other in Facebook. The creation spread quickly might accompany with pressing good or copy. Second, Facebook is so efficient that the readers read or respond the information as soon as the writers post it. Facebook offers the readers a platform to close the writers. Third, Facebook differs from microblog limiting number of words, so it publishes a whole poem, a whole prose, and a whole short story. The writers transit the creating forms and ways by the reading type and environment, so the contemporary literature is played out the strategy of Facebook. This essay discusses the writers in Facebook using the strategy and creating phenomenon. |
本系統中英文摘要資訊取自各篇刊載內容。