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| 題 名 | 男性創傷與性別政治:電影為愛朗讀的敘事批評=Masculine Trauma and Sexual Politics: A Narrative Criticism of the Film The Reader |
|---|---|
| 作 者 | 祝曉涵; 王孝勇; | 書刊名 | 傳播管理學刊 |
| 卷 期 | 15:1 2014.06[民103.06] |
| 頁 次 | 頁29-56 |
| 分類號 | 987.952 |
| 關鍵詞 | 男性創傷; 性別政治; 性別權力關係; 為愛朗讀; 敘事批評; Masculine trauma; Sexual politics; Gendered power relations; The Reader; Narrative criticism; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本研究旨在從敘事批評方法分析電影為愛朗讀(The Reader)中的男性創傷(masculine trauma)與性別政治。以Millett的性別政治觀點為理論基礎,本研究將男性創傷界定為:男性在性別互動中,因其失去主控權而導致難以名狀、終其一生的主體失落。研究發現:為愛朗讀藉由「女性主導、男性跟隨」的性別敘事主軸,試圖打造不同於傳統性別權力關係的性別(化)主體/行動者。男性創傷更在性別權力關係的翻轉、角力和重組/再照之際,得以確切地體現。據此本研究指出,主流的性別權力關係本質上僅是歷史偶然性的政治產物,它隨時有被鬆動、挑戰和顛覆的可能性。 |
| 英文摘要 | This paper is a narrative criticism of masculine trauma in the film The Reader. Drawing on Millett’s perspective of sexual politics, this paper defines masculine trauma as a lifetime subject loss which derives from non-traditional or disordered gender interaction (herein, female is more powerful and dominated than male). And The Reader might be an adequate case to elaborate the identification of gender(ed) subject/agent within some specific plots and its implication for gender politics. Based on the research findings, this paper concluded that the nature of mainstream or gendered power relation is just a historical and contingent artifact. It could be loosened, challenged or dismantled at any time. |
本系統中英文摘要資訊取自各篇刊載內容。