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題 名 | 豐子愷與書法=Zi-Kai Feng and Calligraphy |
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作 者 | 張俐雯; | 書刊名 | 慈濟通識教育學刊 |
卷 期 | 8 2013.04[民102.04] |
頁 次 | 頁77-88 |
分類號 | 942.1 |
關鍵詞 | 豐子愷; 書法; Zi-Kai Feng; Calligraphy; |
語 文 | 中文(Chinese) |
中文摘要 | 現代書法發展的進程中,豐子愷(1898-1975)佔有一席之地。豐子愷是一位多才多藝的藝術家,迄今有關豐子愷的散文研究、漫畫與兒童文學的探討已累積有相當豐富的成果,書法的探討則不多見。基於此,本文於豐子愷累積達數百篇的藝術論著中,爬梳整理其中關於書法的部分,先敘述他終身不輟的寫字歷程,然後探討豐子愷關於書法方面的藝術理論,如:「線的雄辯」、「氣韻生動」等,他的書法專集《豐子愷遺墨》、《豐子愷墨迹》亦提供後人繼續研究的基礎。 |
英文摘要 | During the development of modern Chinese calligraphy, Zi-Kai Feng (1898-1975) was an important figure. Feng is a versatile artist and the studies on his works of prose, comics, and children's literature were abundant. However, the studies on his Chinese calligraphy were rare. Therefore, this paper delves into Feng's hundreds of artistic literature and extracts the parts about Chinese calligraphy. We first present his devotion of entire life on writing calligraphy. Then, we discuss his artistic theory about Chinese calligraphy, e.g., ”The arguments of lines,” ”The movements of spirits”. His published collections of Chinese calligraphy provide a solid foundation for future studies. |
本系統中英文摘要資訊取自各篇刊載內容。