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| 題 名 | 章法學「三觀」論=On Three Views of the Art of Writing |
|---|---|
| 作 者 | 陳滿銘; | 書刊名 | 高雄師大國文學報 |
| 卷 期 | 21 2015.01[民104.01] |
| 頁 次 | 頁1-34 |
| 分類號 | 802.7 |
| 關鍵詞 | 章法學; 三觀; The art of composition; Three views; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 「三觀」理則的適應面是極廣的,單以「辭章章法學」而言,其「結構類型」(移位、轉位、包孕)、「族系分類」(對比、調和、中性)、「篇章統合」(多、二、一(0))、「藝術境界」(真、善、美)與「螺旋體系」(微觀、中觀、宏觀)各層面,就全由「三觀」理則形成,影響極大,由此足見「三觀」理則之重要性及其普遍性。 |
| 英文摘要 | The logic of three views can be widely applied. In terms of the art of writing, the various aspects such as "structure types" (position movement, position transfer, inclusion), "genealogy classification" (contrast, mingling, neutrality), "compositional integration" (many, two, one (zero)), "artistic world" (truth, goodness, beauty) and "spiral system" (microscopic, middle scope, macroscopic), all of these are formed by the logic of "three views." The influence is great. Thus, we can see the importance and generality of the logic of "three views." |
本系統中英文摘要資訊取自各篇刊載內容。