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來源資料
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| 題 名 | 「可寫的文本」遇上「生產性讀者」:鄭愁予新詩「誤讀」初議=When Writable Text Meets Productive Readers: On Misreading Zheng Chouyu’s Poems |
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| 作 者 | 余境熹; | 書刊名 | 臺灣詩學學刊 |
| 卷 期 | 24 2014.11[民103.11] |
| 頁 次 | 頁47-72 |
| 分類號 | 863.51 |
| 關鍵詞 | 鄭愁予; 可寫的文本; 生產性讀者; 航海王; 誤讀; Zheng Chouyu; Writerly text; Productive reader; One Piece; Misreading; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 通過對鄭愁予新詩「空白」的研閱,可證其作品實屬「可寫的文本」,具有多種讓讀者介入的可能。「生產性讀者」銳意於為文本帶來新詮釋,借重「誤讀」,鄭愁予詩甚至可與尾田榮一郎漫畫《航海王》建立連結 |
| 英文摘要 | The blank-leaving skills of Zheng Chouyu are highly valued and they contribute to the conclusion that the poems of Zheng are writerly rather than readerly. Through the tactics of "Misreading", a productive reader can even build up a linkage between Zheng's poems and ODA Eiichirō's "One Piece" so as to liberate the text from any kinds of interpretive tyranny |
本系統中英文摘要資訊取自各篇刊載內容。