頁籤選單縮合
| 題 名 | 再現的可能?--國立歷史博物館《米開朗基羅特展》之規劃與問題分析=Possibilities of Representation? Planning and Issues of the Divine Michelangelo Exhibition |
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| 作 者 | 林瑞堂; | 書刊名 | 國立歷史博物館學報 |
| 卷 期 | 49 2014.07[民103.07] |
| 頁 次 | 頁126-139 |
| 分類號 | 069.7 |
| 關鍵詞 | 米開朗基羅特展; 展覽敘事; 展覽詮釋; 複製品; The Divine Michelangelo Exhibition; Exhibition narrative; Exhibition interpretation; Reproduction; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 國立歷史博物館於2013年舉辦米開朗基羅特展,本文將探討本展規劃過程及此展所引發的複製性展品問題。本文首先歸納史博館歷年藝術性特展的展示模式,並敘述米開展由於展品性質而轉而採用歷史性展覽模式,希望透過較具戲劇性的方式呈現,不僅讓觀眾能更與米開朗基羅這位藝術家建立更密切的情感聯繫,更讓觀眾更能理解平常較難理解的繪畫與建築設計手稿真跡。最後,本文更探討此次米開展所引發的複製性展品質疑。此次米開展對本館展覽規劃最重要的啟示在於,無論展品性質為何,展覽的規劃都必須有明確且具意義的的故事線,讓觀眾能與展覽產生共鳴並得到感動。 |
| 英文摘要 | In 2013 National Museum of History presented The Divine Michelangelo exhibition. This paper will discuss the planning process of this exhibition and the related issues of use of reproduction in exhibitions. First, this paper examines the display model of past special exhibitions in NMH and describes how The Divine Michelangelo exhibition shifts from the past model of object-centered display to the history-centered display. Then this paper traces the arrangement of this exhibition and analyzes how it utilizes dramatic strategies of display to establish closer emotional ties between visitors and the subject of the exhibition. Finally, this paper discuss the questions of reproduction used in this exhibition. To sum up, the experience of planning this exhibition tells us that, whatever the exhibits are, a clear and meaning storyline will be essential for visitors to make sense of the objects and the exhibition and to acquire a trully meaning visiting experience. |
本系統中英文摘要資訊取自各篇刊載內容。