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| 題 名 | 「唯一可以抵抗噪音的就是靡靡之音」--從《這隻斑馬This Zebra》談「李格弟」的身份意義=A Discussion on the Significance of "Li Gedi" from "This Zebra" |
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| 作 者 | 李癸雲; | 書刊名 | 臺灣詩學學刊 |
| 卷 期 | 23 2014.06[民103.06] |
| 頁 次 | 頁163-187 |
| 分類號 | 821.88 |
| 關鍵詞 | 夏宇; 李格弟; 這隻斑馬; 群體心理學; 現代詩與流行歌詞; Xsiu-Yu; Lee Gedi; This Zebra; Group psychology; Poetry and song; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本文試圖從《這隻斑馬This Zebra》附錄的自剖文章與集中幾首歌詞的分析,整理「李格弟」的身份意義,說明夏宇不斷自我突破的詩歌意圖,事實上同樣實踐於《這隻斑馬This Zebra》中,發現其嘗試以「靡靡之音」反抗「詩」的歧義與固定位置。本文主要採用佛洛依德精神分析學說裡的「群體心理學」概念,觀察夏宇創作意識的幽微曲折表現,並且對照前行研究的既有論點,從中闢出一條心理分析的詮釋蹊徑。本文認為「李格弟」從詞人的地位、詩人夏宇的創作分身,迄今已逐漸壯大成為足以與夏宇分庭抗禮的另一個主體,最終並被賦予「詩人」身份。 |
| 英文摘要 | This paper attempts to analyze the "Lee Gedi" the identity of meaning, the object is "This Zebra"'s self-sectional articles and lyrics. This paper argues that Xsiu-Yu's continuous self- breakthrough poetry intention, in fact, the same practice in "This Zebra", I found Xsiu-Yu attempt to use "obscene songs" revolt "poetry". This paper mainly uses the Freudian psychoanalytic theory in the "Mass Psychology" concept, and expand dialogue with previous studies, looking forward to find a psychoanalytic interpretation of the path. This paper concluded that "Lee Gedi" has gone from "song writer", "another Xsiu-Yu," and grew to become enough to rival Xsiu-Yu another subject, and was given "poet" status. |
本系統中英文摘要資訊取自各篇刊載內容。