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頁籤選單縮合
題 名 | 試論玉劍飾器及其文化意涵=Brief on the Ornaments of the Yuju Sword and the Meaning Along the Time |
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作 者 | 郭祐麟; | 書刊名 | 國立歷史博物館學報 |
卷 期 | 48 2013.12[民102.12] |
頁 次 | 頁35-70 |
分類號 | 794.4 |
關鍵詞 | 玉; 玉器; 古玉鑑定; 玉具劍; 玉劍飾器; 劍首; 劍格; 劍璲; 劍珌; Jade; Jade object; Identification of ancient jade; Jade sword; Ornamental jade sword; Sword pommel; Sword guard; Scabbard slide; Scabbard chape; |
語 文 | 中文(Chinese) |
中文摘要 | 玉器在考古學研究領域中具有一定特殊性,首先玉器並不全是為滿足人們的物質生活需求而產生的,而是肇始於形而上的文化及精神形態的共同產物。我們不能依探討其他生活器用等的考古學材料那樣,過多的關注於形狀以及演變間的相對規律或關係。其次,玉劍飾器製作是一種具有相當難度的分工與專業化過程,一旦形成某種製作規程之後,延續性與繼承性相當強,變化頻率相對緩慢。所以玉器形制演變的階段性一般不如陶瓷器等器物的明顯,但卻有著更深沉而有力的實質意義。如《越絕書》「外傳.記寶劍第十三」所載當此之時,這說明了石、玉、銅、鐵器等文化的延續與發展,對於我上古社會的影想是一種生活意涵的精神呈現與縮影,絕對勝過於科技或物質文明本身。 |
英文摘要 | Jade in archaeological research arena has certain particularities, above all, not only produced to meet people's material needs in their daily lives, but also, a co-product resulting from metaphysics in the cultural and spiritual forms. As such, taking it as an archaeological material as any other kinds of utensils, or drawing much attention to its shapes, patterns along the evolution and their connections, would both be irrelevant. Secondly, the manufacturing process of sword ornaments in jade is rather diversified and professional, and it takes precedence, as soon as a process is being formed, hence, change will be relatively slow. Therefore, the pattern evolution of jade, generally, is not as obvious as pottery, porcelain or other artifact, however, its influence is much more substantial and vigorous. According to“Yue-jueh"a book retracting to then, it describes that the continuity and development of the cultures based on stones, jade, copper, iron, are a spiritual expression and reflection in the way of life in the ancient China, which overwhelms technological or materialism civilization. |
本系統中英文摘要資訊取自各篇刊載內容。