頁籤選單縮合
題名 | 毛本《三國演義》的悲劇意識=Tragic Consciousness in the Mao Zong-gang Edition of Romance of The Three Kingdoms |
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作者 | 陳慶元; | 書刊名 | 東海中文學報 |
卷期 | 26 2013.12[民102.12] |
頁次 | 頁143-165 |
分類號 | 823.4523 |
關鍵詞 | 三國演義; 悲劇意識; 毛宗崗; Romance of the Three Kingdoms; Tragic consciousness; Mao Zung-gang; |
語文 | 中文(Chinese) |
中文摘要 | 《三國演義》在中國古典小說中雖有重要地位,但從文學藝術的角度而言,由於其題材受限於歷史而較缺乏創造性,常得到學者正反不同的評價。然而不可否認的,在眾多小說作品中,《三國演義》一直是最膾炙人口,流傳也最廣的作品。探究其原因,作品中的「悲劇意識」成分產生了極重要的影響。本文以毛本《三國演義》為對象,從歷史詮釋觀點與小說人物塑造兩方面,探討全書所呈現的「悲劇意識」,以及如此的「悲劇意識」又是帶給讀者怎樣的沈思,並指出其侷限性。希望從不同角度對《三國演義》做出評價。 |
英文摘要 | Although Romance of the Three Kingdoms holds a paramount position in classical Chinese novels, its artistic creativeness earns mixed responses for the fact that its subject matter is mainly historical. This article argues that a sense of prevailing tragedy explains the novel’s favor and popularity. Based on Mao Zong-gang edition, this article reveals the tragic consciousness in “Romance of the Three Kingdoms by studying its characterization and historical vision. I also examine this tragic sense in terms of reader’s response and evaluate its affective power, hoping to provide yet another reading of this classic. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。