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題 名 | 沈從文對侯孝賢影像語言的影響研究=A Study on the Effect of Shen Cong-Wen to Hou Hsiao-Hsien Image Language |
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作 者 | 楊雅君; | 書刊名 | 東吳中文線上學術論文 |
卷 期 | 20 2012.12[民101.12] |
頁 次 | 頁77-111 |
分類號 | 987.92 |
關鍵詞 | 沈從文; 侯孝賢; 長拍鏡頭; 空鏡頭; 剪接; 畫外音; Shen Cong-Wen; Hou Hsiao-Hsien; Long-Take; Emptiness; Film-Editing; Implication communicated by drawings; |
語 文 | 中文(Chinese) |
中文摘要 | 侯孝賢(1947-)在讀了朱天文(1956-)送來的《從文自傳》後,便開創了其靜定 自然的獨特影像風格,與前三部影片迥然不同。作為一個影像創作者,侯孝賢從相隔五十年的沈從文(1902-1988)筆下,得到什麼啟發?又如何運用在電影拍攝手法中?本論文預計從侯孝賢的四項影像特質來追述沈從文所帶來的影響--、長拍鏡頭(long-take);二、空鏡頭(Emptiness);三、剪接;四、畫外音;藉此歸結沈從文與侯 孝賢之間的關連,進而得知侯孝賢以「拍出自然法則底下人們的活動」的寫實企圖及人生態度,與沈從文著實密不可分。 |
英文摘要 | After reading the book, “Cong-Wen’s Autobiography”, sent by Zhu Ten-Wen, Hou Hsiao-Hsien was then inspired to create a special natural standing image of his own style, a style completely different from those demonstrated in the 3 movies made earlier. As an image creator, what had Hou Hsiao-Hsien been inspired by Cong-Wen’s Autobiography, a book released 50 years ago? And how does Hou Hsiao-Hsien apply the inspiration obtained from the autobiography in his movie shooting? In this article, we’ll find out the answers from the following 4 aspects, 1: Long-Take,2: Emptiness, 3: Film-Editing, 4: Implication Communicated by Drawings, in order to seek out the connection between Shen Cong-Wen and Hou Hsiao-Hsien and then conclude that Hou Hsiao-Hsien is closely related to Shen Cong-Wen if we look at the realism, attempting to shoot human being’s activities under natural rules”, disclosed in his behaviors and attitude toward life. |
本系統中英文摘要資訊取自各篇刊載內容。