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題 名 | A Study of Richard Strauss' Political Life Based on His Artistic Inspirations and Inter-Relationships=理查.史特勞斯的政治思維與態度之探討--以其藝術創作靈感與人際交互關係為角度 |
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作 者 | 蘇金輝; | 書刊名 | 人文社會學報. 國立臺灣科技大學 |
卷 期 | 9:4 2013.12[民102.12] |
頁 次 | 頁333-347 |
分類號 | 910.9943 |
關鍵詞 | 藝術創作靈感; 人際交互關係; 政治思維與態度; Artistic inspiration; Inter-relationships; Political life; |
語 文 | 英文(English) |
中文摘要 | 理查.史特勞斯在1864年6月11日誕生於德國慕尼黑,為浪漫時代後期最傑出的音樂家之一,也是德國近代最著名的作曲家兼指揮家。在音樂史上,他位於浪漫與現代交替之際;而在政治上,他曾親身經歷了兩次的世界大戰。因此,史特勞斯的一生可謂歷經了歐洲大陸在文化、政治、社會上的交替與變遷。理查.史特勞斯的早期作品,傾向保守、崇尚古典派作曲家的作品,但後來進入浪漫主義,受到「新德意志派」作曲家如李斯特、華格納、白遼士等的影響,大量運用了音詩、新的樂思與具戲劇效果的前衛性音樂語法在他的歌劇、歌曲和交響樂當中,最後又回歸為溫和傳統,這些都讓理查.史特勞斯在當時被視為是一位充滿爭議的音樂家。理查.史特勞斯曾擔任納粹政權音樂總裁一職,而他與納粹、自身猶太家族與音樂藝術之間的矛盾關係,經常引起許多人對他的誤解,並遭到負面的批判。為了能深入了解在這些矛盾與爭議的背後,理查.史特勞斯一生在政治生涯上真實的思維與態度,本文透過文獻探討的方式,由其生平各階段的發展、歌劇「沉默的女人」及「和平之日」之創作動機、與納粹政權間之關係等三方面來進行深入分析與探討。本文最後提出之結論為:理查.史特勞斯不僅在音樂史上是位具有影響力的大師,更在政治與歷史上,不僅沒有依附於納粹的權勢,更是為了捍衛音樂文化,而極力與納粹獨裁者抗爭的鬥士。 |
英文摘要 | Richard Strauss was born in Munich, Germany on June 11, 1864. As a conductor and composer in the late Romantic era, he acted as a witness to transitions in both the music world and the political world at the turn of the century. Under the influence of the New German School, which includes composers such as Liszt, Wagner and Berlioz, Strauss used tone colors in his operas, songs, and symphonic works. He was not only a controversial musician, but also a controversial person politically and displayed conflicting attitudes toward the Nazi government, his Jewish relations, and his love for European art culture. In order to provide a foundation to gain better understanding of Straus, this paper researches into the multiple stages of his life, examines his two opera works Die schweigsame Frau and Friedenstag, and discusses Strass' struggle with the Nazi Government. This paper provides evidence through literature review that Strauss is not only an important figure in musical history, but also in political and world history as a witness and rebel against Nazi tyranny. |
本系統中英文摘要資訊取自各篇刊載內容。