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題名 | 我的傷口先於我--以自畫像記錄失落的陰翳之間衍生動態影像創作=My Wound Existed Before Me: Animation Derived from Self-Portraits in the Shadow of Loss |
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作者 | 吳政安; 曲家瑞; | 書刊名 | 實踐設計學報 |
卷期 | 7 2013.10[民102.10] |
頁次 | 頁36-54 |
分類號 | 178.8、178.8 |
關鍵詞 | 失去; 失落; 失眠; 傷口; 自我觀看; 自畫像; 藝術治療; 手繪創作; 動態影像; 動畫; Lose; Sense of loss; Insomnia; Wound; Self-recognition; Self-portrait; Art therapy; Hand drawn illustration; Video; Animation; |
語文 | 中文(Chinese) |
中文摘要 | 本創作論文以創作者在經過一次從未有過的失去後,產生的一種「重大的失落感」為出發。每日開始失眠,而情感的失去讓自己對「臉」的認知日漸模糊,失眠的這段時間在床上試著畫下每日的自畫像,發現白日與黑夜的自己在創作上似乎開始有兩個不同的性格,透過每日的自畫像創作來凝視傷口並觀看自我-有如法國詩人Joë Bousquet提出的「我的傷口先於我。」在世存有,主要是為了具體這一切傷痕。不是命運決定論,只是意識到傷口的必然,接受它,從而能再次運命。透過自畫像、手繪創作、文字及一連串影像記錄,企圖去接近物體與物體間的陰翳明暗,用日誌逼近、用影像捕捉、用創作呈現分裂的癒合,最後以動態影像作品作為整理總結,藉由移轉,讓渡在創作者心中那份未被感知的寧靜。 |
英文摘要 | The thesis was inspired by an enormous sense of loss as a result of suffering an unprecedented bereavement. Insomnia happens every day and I can't clearly recognize my own countenance due to emotional loss. During several sleepless nights, I try to do self-portrait paintings, and I notice two different personalities have revealed in my daytime and nighttime works. By creating self-portraits every day, I gaze at my wounds and see myself. ”My wound existed before me,” writes Joë Bousquet, a French poet. ”I was born to embody it.” It is not fatalism but to be aware of and accept the inevitability of wound, and therefore to be again holding the fate. With self-portraits, hand drawn illustrations, writing and a series of images, I endeavor to approach the shadows, light and dark side within objects. Furthermore, I draw near and capture the real me via journals and images, showing how a wounded heart is mended through my creations, and then integrate all these materials into an animation. Ultimately, the unaware serenity deep in my heart will have been transferred and empathized. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。