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題 名 | 金聖歎批點《水滸傳》之「人物」理論研究--小說「人物」塑造之「文法」及其美學原則=On the "Character" Theories of "Chin Sheng-T'an's P'ing-Tien Water Margin"--Novels "Methods of Characterization" and Its Aesthetic Principles |
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作 者 | 呂素端; | 書刊名 | 靜宜中文學報 |
卷 期 | 3 2013.06[民102.06] |
頁 次 | 頁27-77 |
分類號 | 827.2 |
關鍵詞 | 金聖歎; 評點; 水滸傳; 人物塑造; 美學原則; Chin Sheng-T'an; P'ing-Tien; Water Margin; Characterization; Aesthetic principles; |
語 文 | 中文(Chinese) |
中文摘要 | 關於金聖歎「人物」理論的論述,為數不少,但對金氏文論本身之「理論架構」及「批評用語」的建構,却依然付之闕如。本論文乃針對上述兩點,試圖重構金批水滸之人物理論體系,凡分六個層次,包括人物描寫之「性格」、類型、形式與意義、「文法」、評價及與人物相關之其他問題等。上篇僅論前三層:人物「性格」、人物類型、人物安排之形式與意義。中篇著重於論述第四層:「人物」塑造之「文法」,下篇則側重於論述後二層:人物評價、及與人物相關之其他問題等。本文為中篇,將於「前言」對本文之撰作動機、上篇所解決的問題與所得之結論、以及接著所要處理的問題等略作說明。本文將側重探究金批水滸描寫「人物」之「文法」,即相當於今之「人物塑造」的問題,因此,本文將先探究這些方法背後的「美學原則」,凡列舉了七項,皆語出金批水滸之關鍵字眼;再論其「人物塑造」之方法,凡分析歸納出二十項,每一項之中又有細分。期俾助於加深認識及瞭解中國文學中獨特的敘事方法及美學關懷,而兼具理論、批評及創作之實踐效用。 |
英文摘要 | About Chin Sheng‐T'an's "character" theories, and a large number, but the construction of the "theoretical framework" and "criticism term" of the Chin Sheng‐T'an's literary theory itself, but still paid lacking. This paper is a response to these two points, trying to reconstruct the character's theoretical system of Chin Sheng‐T'an P'ing‐Tien Water Margin, Divided into six levels, including the characterization of the character, type, form and meaning, methods, evaluation and other problems related to characters and so on. PartⅠwill focus on only three previous former: character, types of characters, characters arranged in the form and meaning. PartⅡ will focus on discussion the fourth floor novella: methods of characterization. Next will focus on the second floor after exposition: evaluation of characters, and other issues associated with the characters and so on. This is PartⅡ, will "Preface" the writing on the motivation of this paper, the previous problem and has conclude, and then have to deal with the problem for a brief description. This paper will focus on exploring methods of characterization of Chin Sheng‐T'an P'ing‐Tien Water Margin, which is equivalent to today's "characterization" issue. Therefore, this paper will first explore these methods behind the "aesthetic principles", cited a total of seven, all phrase from the Chin Sheng‐T'an P'ing‐Tien Water Margin. Next on his methods of characterization, a total of twenty analyzed and summarized for each one, among the segments. Expect help to deepen knowledge and understanding of unique narrative methods and aesthetic care, and both theoretical, critical and creative effectiveness of the practice. |
本系統中英文摘要資訊取自各篇刊載內容。