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| 題 名 | 晚明「情種」說之文化意涵及多重向度=Cultural Implications and Multiple Aspects of "Qing-Zhong" in the Late Ming Dynasty |
|---|---|
| 作 者 | 黃莘瑜; | 書刊名 | 臺大中文學報 |
| 卷 期 | 41 2013.06[民102.06] |
| 頁 次 | 頁177-224 |
| 分類號 | 820.906 |
| 關鍵詞 | 情種; 隱喻; 晚明文學; 儒學; 禪宗; Qing-zhong; Metaphor; Late Ming literature; Confucianism; Zen; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 晚明「情種」一詞已逐漸普及,其或為評論、創作之關鍵詞語,或為纂集文本的圖書標題。本文將以武林張琦的文本為軸心,並參酌活躍於同時期江湖地區之孟稱舜、宋存標的相關作品,藉由不同論述的梳理,檢視「情種」作為隱喻及概念之脈絡構成;並通過其歧義性,一方面分析其所關涉的文化基因,另一方面,也試圖開展明清文學及思想承續的多元線索。 |
| 英文摘要 | As a keyword of commentaries and creative writings or as the title of anthologies, the word qing-zhong [sentimental people] has been ubiquitous in the Late Ming Dynasty. This article uses different approaches to discuss qing-zhong as a metaphor and concept, scrutinizing writings of Zhang Qi of Wu-Lin [martial world] when examining works of Zhang's contemporaries, Meng Cheng-Shun in Zhejiang and Song Cun-Biao in Jiangsu. With the ambiguity of the word, the author analyzes the cultural elements it relates to, and attempts to make a contribution to the diversity of studies on literature and thought of the Ming and Qing Dynasties. |
本系統中英文摘要資訊取自各篇刊載內容。