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題名 | 由身體現象學談書法工夫論=Cultivation in Chinese Ink Brush Writing from the Stance of a Phenomenology of the Body |
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作者姓名(中文) | 宋灝; | 書刊名 | 東吳哲學學報 |
卷期 | 28 2013.08[民102.08] |
頁次 | 頁39-69 |
分類號 | 942.1 |
關鍵詞 | 書法; 身體現象學; 身體模擬; 莊子; Chinese art of writing; Phenomenology of the body; Bodily mimesis; Zhuang Zi; |
語文 | 中文(Chinese) |
中文摘要 | 本文追求跨文化哲學思考,聚焦於藝術實踐如何可能開展修養工夫上的效能比一問題。首先從身體現象學來探究書法上的運筆模式,尤其是從現象學角度闡明「收」、「迋」、「澀」等書寫手段,並凸顯身體模擬與倫理學之間的關聯,以揭示書法如何可能成為一種轉化性修養工犬。再者,根據〈莊子〉更深入彰顯藝術實踐與倫理關懷之間的聯繫,並闡明「逆轉收回」這種特殊運動模式均對生活態度、生活行為所具有之意義。最後,本文嘗試將海德格所追求的「轉折」落實於具有倫理意蘊的「泰然任之」這種生活態度上,解釋此「轉折」如何經由藝術實踐上「逆轉收回」的方式來獲得具體滋養。 |
英文摘要 | This paper pursues a transcultural reflection on possible relations between artistic practice and ethical cultivation. First there is given an investigation, from the stance of a phenomenology of the body, into peculiar kinds of moving the brush in the Chinese art of writing, especially the so-called ”collecting”, ”reversing”, and ”resisting” patterns in executing the brushstroke. Thus it is pleaded for bodily mimesis involved in the art of writing, as a kind of transformative exercise. In a second step, this thesis is further confirmed by adducing evidence from the ”Zhuang Zi”, in order to show that there is an intrinsic connection between artistic performance and ethical self-cultivation. Finally, an attempt is made at putting this art of ”reverting and taking back” into relation with the late Heidegger's thought on the Kehre and the Gelassenheit. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。