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來源資料
頁籤選單縮合
題名 | 《詩法家數》探微=Investigation on "Shi-fa-jia-shu" |
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作者姓名(中文) | 吳元嘉; | 書刊名 | 藝見學刊 |
卷期 | 4 2012.10[民101.10] |
頁次 | 頁1-16 |
分類號 | 821.257 |
關鍵詞 | 元人詩話; 體法論; 詩法家數; Yuan poetry; poetic form; Shi-fa-jia-shu; |
語文 | 中文(Chinese) |
中文摘要 | 元代詩學著述以探論詩法為主要途徑,舊本題名楊載之《詩法家數》乃專從實踐角度,提供初學者實際創作之入門著作。體法論實可謂是《詩法家數》論詩核心,它延續孔穎達六義二分主張,重視詩歌體與法之關係。論「體」含體製、風格,並擴及不同體製、題材和詩人用心呈現不同詩歌風格。論「法」,談賦、比、興之餘,尚涵蓋章法、句法和字法;此中又破除三法與三體相對固定、不可移易的創作模式之看法,提出所作「能備盡其義」者,詩自可觀。在創作論方面,《詩法家數》和嚴羽同樣主張由漢魏入手,朝夕沉潛諷詠,強調創作與個體生命、現實人生相涉。落筆為詩尤重命意,並由此提出詩有內、外意之分,詩中融裁寄寓著景、事,待境而生之創作,其詩自工,這種書情表意與寫景陳事融合無間,又不著跡象以見意境的詩學主張,正是元人宗唐詩風的表現。 |
英文摘要 | Works of poetry study in the Yuan Dynasty were based on investigations of poetic methodologies predominantly. An ancient book, Shifajiashu, written by Yang Zai, provides novices with an approach to practical creation. Shifajiashu, kernelled the study of poetic form and methodology, continued Kong Yingda's opinion and paid much attention to the relation between poetic form and poetic methodology. Various poetic forms, including frames, styles, and materials, were discussed in it. In addition to poetic methodologies, Fu, Bi, and Xing, it also covered writing methods for organization, sentences, and words. It stated that poems are desirable as long as characteristics of poetic forms and methodologies are elaborated. In creation respect, it advocated savoring and chanting literature works from Han and Wei dynasties at first and emphasized that creation is in connection with individual lives. Thoughts expressed by a poet are particularly important to poem composition. Therefore, it addressed that there are explicit and implicit thoughts in a poem and a poem describing scenery and affairs well merged with poet’s plight implicitly is definitely fine. This kind of view on poem study is an exact manifestation that Yuan people enthroned the style of Tang poetry. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。