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| 題 名 | 絈菈奇(齊)觀:「蜘蛛女劇場」《日、月及羽翎》的絈菈敘事=Synchronic Spectaculum: Mola Narrative in Spiderwoman Theater "Sun, Moon and Feather" |
|---|---|
| 作 者 | 羅宜柔; | 書刊名 | 英美文學評論 |
| 卷 期 | 22 2013.06[民102.06] |
| 頁 次 | 頁83-111 |
| 專 輯 | 奇觀‧齊觀專輯 |
| 分類號 | 885.5 |
| 關鍵詞 | 絈菈; 反向拼布; 蜘蛛女劇場; 日、月及羽翎; 同步共構; 齊觀; Mola; Reverse Appliqué; Spiderwoman Theater; Sun, Moon and Feather; Synchronicity; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 本文以蜘蛛女劇場作品之一的《日、月及羽翎》(Sun, Moon and FeOfer)為主要文本, 透過巴拿馬原住民庫那(Kuna)族的泊菝(mola)拼布為啟發,思考此種特殊拼布拼織與蜘 蛛女劇場(Spiderwoman Theater,同樣具有庫那血統)故事編織的可能流動與共振。論文研 究泊菝拼布的主要特色,即反向拼布之作法,進一步論述泊菝拼製與故事編織、甚至文明進 程與庫那文化表徵之間的可能交相織理;其次根據泊菝拼布所蘊含的寓意與生命動能,本文 討論並認為《日、月及羽翎》的情節編排、多觀點呈現、與多媒體展演可與泊菝拼織共構出 多方和諧的舞台奇/齊觀。 |
| 英文摘要 | Inspired by the tribal quilt, mola, in Kuna, Panama, this paper contemplates the possible inter-playing between mola quilting and Spiderwoman Theater’s story weaving by means of a study of one of Spiderwoman Theater’s plays, Sun,Moon and Feather. This paper, firstly, examines the construction of mola with the focus on its special technique, reverse applique. It then analyzes the inter-weaving among reverse applique, the indigenes’ story weaving and the progress of civilization. It argues, in light of the understanding of the reverse applique and its implicit vitality of mola, the plot arrangement, multiple perspectives and multi-media arrangement on stage in Sun, Moon and Feather have co-constructed a spectacular/synchronic stage. |
本系統中英文摘要資訊取自各篇刊載內容。