頁籤選單縮合
題 名 | 戀物、悼亡與家國寓言--黃錦樹《魚骸》的離散詩學=Fetish, Mourning and Home-country Fable--Diaspora Poetics of Huang Jinshu's The Fish Skeleton |
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作 者 | 汪榮; | 書刊名 | 華人前瞻研究 |
卷 期 | 9:1 2013.05[民102.05] |
頁 次 | 頁93-105 |
分類號 | 850.951 |
關鍵詞 | 馬華文學; 短篇小說; 黃錦樹; 魚骸; 家國寓言; 離散詩學; Huang Jinshu; The Fish Skeleton; Home-country fable; Diaspora poetics; |
語 文 | 中文(Chinese) |
中文摘要 | 黃錦樹是馬華文學新生代的代表人物,他創作於1995年的短篇小說《魚骸》是其寫作生涯中具有里程碑式的作品。《魚骸》用渾厚沉鬱的文字風格,講述了一個旅台馬華學者的現實境況與往事追憶,對離散華人的原鄉想像與身份認同問題進行了深入的考察。《魚骸》全篇散發著熱帶的氣息與神秘的中國氛圍,故事怪誕且意象充盈,將文化政治寓於美學的經營之中,在表面的情節背後潛藏著濃鬱的象徵意味,構成了獨特的“離散詩學”。而《魚骸》表述中的種種曖昧與悖論也是黃錦樹自己的困惑與危機。 |
英文摘要 | Huang Jinshu is a representative figure of the new generation in Malaysian Chinese literature. The short story The Fish Skeleton he created in 1995 is a milestone in his writing career. With depressed style of writing, The Fish Skeleton tells the reality situation and reminiscing about the past of a Malaysian Chinese scholar in Taiwan, and explores thoroughly hometown imagination and identity problems of Diaspora Chinese. The Fish Skeleton sends out a kind of tropical flavor and mysterious Chinese atmosphere, filled with bizarre stories and images. It contains cultural politics in aesthetics, hides rich symbolic meaning behind the facial plots, and constitutes a unique Diaspora poetics. However, the ambiguity and paradox in the expression of The Fish Skeleton also compose Huang Jinshu's confusion and crisis. |
本系統中英文摘要資訊取自各篇刊載內容。