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題 名 | Lo real y lo ilusorio en La tienda de muñecos de Julio Garmendia: un precedente de la narrativa fantástica moderna en Hispanoamérica=Reality and Unreality in Julio Garmendias's La tienda de muñeca--A Precedente of the Fantasy in Modern Spanish American Fiction |
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作 者 | 羅幕斯; | 書刊名 | 淡江外語論叢 |
卷 期 | 20 2012.12[民101.12] |
頁 次 | 頁101-114 |
分類號 | 885 |
關鍵詞 | 胡利歐.加門迪亞; 洋娃娃商店; 奇幻小說; 戲謔模仿; 諷刺; Julio Garmendia; La tienda de muñecos; Fantasy; Parody; Irony; |
語 文 | 西班牙文(Spanish) |
中文摘要 | 委內瑞拉作家胡利歐.加門迪亞在《洋娃娃商店》中用極諷刺、嚴厲口吻和忠告的手法來創造出一個虛幻寫實的獨特世界。作者分別運用魔鬼契約和超自然旅行兩個元素在〈靈魂〉和〈雲的故事〉中。另外,〈亡者〉則是結合上述兩種元素的反思。本文主要目的在於研究作者在該作品中呈現出寫實和虛幻之間的的獨創性和創新的渴望。 |
英文摘要 | "La tienda de muñecos" (The dolls' shop), a collection of short stories by Venezuelan writer Julio Garmendia (1898-1977) published in 1927, is one of the most important precedents of modern fantastic narrative (fantasy) in Spanish American literature. Garmendia, with a subtle irony and a suggestive language, creates a singular world of fiction through humor basically parodical, or ironic, and the intrusion of supernatural phenomena into an otherwise realist narrative. In his short stories "El alma" y "Narración de las nubes", the author retells traditional topics of the fantastic literature, like the pact with the devil and the supernatural journey, whereas "El difunto yo" is a brilliant reflection on the double theme. The aim of this article is to emphasize the originality and the effort to update the endless game between reality and fantasy created by Garmendia. |
本系統中英文摘要資訊取自各篇刊載內容。