頁籤選單縮合
題 名 | 戰國兩漢銅鏡紋樣解讀=Interpretations of Bronze Mirror Patterns in the Warring States Period& Han Dynasties |
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作 者 | 張從軍; | 書刊名 | 先秦兩漢學術 |
卷 期 | 18 2012.09[民101.09] |
頁 次 | 頁93-121 |
分類號 | 793.61 |
關鍵詞 | 戰國兩漢; 銅鏡紋樣; 文化釋讀; Warring States Period and Han Dynasties; Bronze mirrors pattern; Interpretation of the cultural patterns; |
語 文 | 中文(Chinese) |
中文摘要 | 戰國兩漢銅鏡紋樣,從宇宙到星宿,再到太陽,到規矩神獸、仙人世界,走過了一條從天上到仙界再到人間的漫漫歷程,表達的都是美好的理想和願望。戰國「山字紋鏡」中的「山」字應該是仙山的象徵,蟠螭紋則是龍行天體的表現,花菱紋是通好的標誌。西漠的星雲和日光紋樣強調的是光明,四神規矩紋樣則是辟邪的意圖。東漢的銘文鏡直接傳達了人們宜官、宜侯、宜子孫的美好願望,神仙鏡則再一次將銅鏡定格到仙界。銅鏡紋樣是人們美好願望的寄託。 |
英文摘要 | The bronze mirror patterns in Warring States Period and Han Dynasty are from the universe to the stars, from the sun to the animals and the fairy world, and all of them are beautiful expressions of the ideals and aspirations. The ”mountain” character in ”Mountain pattern mirror” of Warring States Period is a symbol of fairy mountains; the Pan Chi pattern is the celestial Dragon, and the flower diamond pattern shows the friendly relations. The nebula and sunlight patterns in Western Han Dynasty emphasize the bright, and the four gods' pattern is used to ward off evil. The Inscription mirror in Eastern Han Dynasty conveys the people's good wishes to position, marquis and their children. Bronze mirror pattern is the anchorage of hopes and aspirations of the ancient people. |
本系統中英文摘要資訊取自各篇刊載內容。