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頁籤選單縮合
題 名 | The Voice of Silence in Joy Kogawa's Obasan=論喬依‧小川《歐巴桑》中傾聽沈默的聲音 |
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作 者 | 戴春馨; | 書刊名 | 朝陽人文社會學刊 |
卷 期 | 10:2 2012.12[民101.12] |
頁 次 | 頁203-222 |
分類號 | 861.57 |
關鍵詞 | 沉默; 聲音; 秘密; 創傷; Silence; Voice; Secret; Trauma; |
語 文 | 英文(English) |
中文摘要 | 本論文旨在探討喬依‧小川《歐巴桑》中被迫沉默有話不能說出及壓抑內心聲音的困境。主角娜歐密因日裔身份在第二次世界大戰被拘留在集中營因而內心留下創傷,導致無法為自己發聲。娜歐密總是默然不語因她遺忘了如何表達自己的聲音和權利。為跳脫壓迫,娜歐密必須走出傷痛的過去並且大聲宣示自己的聲音。在尋找失蹤的母親中,娜歐密也明白了傾聽信中母親沈默的微弱聲音之重要性。所以當娜歐密再次站在大草原看著深谷時,她己透過與自己和母親的對話,找到屬於自己靈魂的聲音。娜歐密更學習到了相信自己與為心底發聲吶喊。最後娜歐密也從一開始的有口難言進而尋得自己最真實的聲音和熱愛生命的力量。 |
英文摘要 | Joy Kogawa's Obasan draws on the theme of breaking silence and finding speech as a powerful device to address the absence of Naomi's voice. That is to say, Obasan presents the conflict of silence that cannot speak. Naomi, being brought up in a hostile environment, experiences the struggles of the past and being voiceless. Gradually, Naomi finds herself wandering and achieving nothing. Unable to express her feelings, Naomi stays mostly speechless in her life. To a great degree, she remains traumatized and repressed until she speaks of her own voice. Later, in tracing the absence of her mother, Naomi finds that her mother's voice must be revived rather than simply recorded in a letter. Apparently, the novel has moved from muteness to a spoken voice. Near the end of the journey, as Naomi stands looking at the coulee in the early prairie dawn, she has transformed her antipathy into love and finding her own voice. At best, Naomi's choice of speaking is her way out of silence and applying her voice moves her toward a better future. |
本系統中英文摘要資訊取自各篇刊載內容。