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題名 | 拉摩與現代和聲=Jean-Philippe Rameau and Modern Harmony |
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作者 | 林怡彣; | 書刊名 | 藝術學報 |
卷期 | 1 2012.07[民101.07] |
頁次 | 頁49-63 |
分類號 | 911.4 |
關鍵詞 | 和聲學; 拉摩; 和弦; Harmony; Jean-Philippe Remeau; Chord; |
語文 | 中文(Chinese) |
中文摘要 | 巴洛克時期的法國作曲家拉摩(Jean-Philippe Rameau,1683-1764)是音樂史上最重要的理論家之一。在拉摩之前或同時代的音樂理論已經有不少討論的空間,但他卻是第一個把和弦進行用比率系統化的人,並把原本純理論的想法落實為實際的詮釋。他主要的論點包括:(一)音樂原始的素材是和弦,而不是單音或旋律(二)大三和弦是由一根弦的二、三、四、五個等分自然產生的(三)在一八度內,可用三度音程建立和弦,再將之擴展為七和弦、九和弦、十一和弦,並且每個和弦皆有轉位的可行性(四)轉調的理念可由主、屬、下屬的和弦功能來達成。此外,拉摩建立了旋律小音階,也是繼盧利之後,法國戲劇音樂史上最偉大的作曲家,就一位理論家而言,拉摩所建構的調性基礎理論成了日後西方音樂兩世紀以來的基礎,他的貢獻著實功不可沒。 |
英文摘要 | In this article is seen on Jean-Philippe Rameau (1683-1764) was one of the most important theorists in the history of music. There was some room for discussion on music theories before Rameau or from the same period, however who was the first person to apply ratio systemization to chord progression on the path from composer to theorist. He also implemented previous concepts of pure theory into practical interpretations. His main arguments included:1. The original material of music is chord and not just single pitch or melody.2. Major chord is naturally generated from the two, three, four, and five equal portions of a string.3. In an octave, the chord can be established with a third interval and then expanded to seventh chord, ninth chord and eleventh chord, while each chord contains a feasibility of inversion.4. The chord function of tonic triad, dominant and subdominant is used to receive the theory of modulation.Additionally, Rameau established melodic minor scale and was the greatest composer in the history of French musical theater following complemented the deficiencies in early France with richer sounds, broader modulation, more vivid and dramatic performance, and larger orchestras than Lully to improve his works. History is the footprint traced by predecessors and modem people in joint efforts, and although history will disappear, what has been refined within and even discourses with influential values to this world would dominate the time tunnel that merits exploration.Rameau has been addressed as the ”Father of Harmony” not only because he absorbed the books and ideas of predecessors but because he also integrated his research efforts. As a theorist, the fundamental theory of tonality built by Rameau became the foundation to Western music for the next two centuries and he contributed with lasting merits. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。