頁籤選單縮合
題 名 | 番仔路和樂軒太平歌曲文與南管曲文關係之探析=The Study of The Relation Between Fanzilu Helexun Taipingge's Lyrics and The Influence of Nanguan Lyrics |
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作 者 | 鐘悅綾; | 書刊名 | 嶺東通識教育研究學刊 |
卷 期 | 4:4 2012.08[民101.08] |
頁 次 | 頁135-193 |
分類號 | 983.33 |
關鍵詞 | 太平歌; 番仔路和樂軒; 南管; 曲簿; Taipingge; Fanzilu Helexun; Nanguan; Traditional copies; |
語 文 | 中文(Chinese) |
中文摘要 | 番仔路和樂軒位於「高雄市內門區」該團約有一百多年歷史。先前有學者提出和樂軒有「南管化」的現象,如方美玲《台灣太平歌研究》(1999年);林珀姬《陳學禮夫婦傳統雜記曲藝(音樂篇)》(2004年);呂錘寬《臺灣傳統音樂概論‧歌樂篇》(2005年);孫慧芳《臺灣太平歌館之音樂研究》(2005年)。其中,孫氏是從林仙智於民國 52年教授番仔路和樂軒時改變太平歌樂器的角度,來說明番仔路和樂軒「南管化」的現象。 筆者在進行番仔路和樂軒太平歌曲文分類時發現,其曲文內容與南管曲文有密切的關係。因此本論文欲藉由兩者曲文內容之比對,探討其間的關係,更進一步檢視和樂軒太平歌「南管化」之說是否可信。該團現存十一本曲簿,共 279首曲目,去其重複者得 204首。本論文將以和樂軒太平歌的曲文內容為研究主題,探討其與南管、梨園戲曲文之關係。和樂軒太平歌曲文依其本事內容可分為二十二類,與南管曲文比較後得到四種現象:一、和樂軒太平歌、南管、梨園戲三者共有的曲文。二、和樂軒太平歌與南管共有的曲文。三、和樂軒太平歌與梨園戲共有的曲文。四、太平歌與南管、梨園戲無相對應的曲文。 番仔路和樂軒太平歌共有 204首曲子,與南管有關的曲目占了 60首,與南管無關的曲子有 144首。但其故事來源,仍可以看岀,其與南管、梨園戲中的本事有關聯。透過和樂軒太平歌與南管曲文的比較,發現和樂軒太平歌在曲文內容方面與南管有密切關係,這種現象早已出現在昭和 5年(西元 1930年)林添來的曲簿和民國 34年(西元 1945年)廖先化的曲簿中,並不是從 52年林仙智來教曲後才改變的。另一方面,和樂軒太平歌在發展的過程也仍保有自己獨特的曲目,這是一個值得注意的現象。 |
英文摘要 | Fanzilu Helexun is an over hundred- year- old traditional music group which is located in Neimen district in Kaohsiung, Taiwan. According to Sun (2005) from the instrumental point of view, resulted from the research in 1963, while Professor Xian Zhi Lin was teaching Fanzilu Heyuexuan andchanging the instruments to explain the music from Helexun has been deeply influenced by Nankuan. During the cross examine of the lyrics of Fanzilu Helexun Taipingge, the researcher has found that the contents of lyrics have closely related to the lyrics of Nankuan. The purpose of the thesis is to discuss the relation between these two by comparing the lyrics and story lines; meanwhile examine the influence of Nankuan. Fanzilu Helexun has 11 traditional copies, 279 programs. The researcher deducted the duplications, remain 204 programs. the thesis compares the contents of Fanzilu Helexun Taipingge and its relations among Nankuan and Liyuan operas. After comparing with Nakuan lyrics, Fanzilu Helexun Taipingge has 22 different styles and 4 phenomenon: 1. The lyrics shared with Fanzilu Helexun Taipingge, Nankuan and Liyuan Operas. 2. The lyrics only shared between Fanzilu Helexun Taipingge and Nankuan. 3. The lyrics only shared between Fanzilu Helexun Taipingge and Liyuan Operas. 4. The lyrics only existed in Fanzilu Helexun Taipingge. After comparing the programs, the researcher found two different kinds of results: one shares the same programs and story contents among the three different types of music. However, the lyrics are different. The other one shares the same programs, however, they all describe different story contents and lyrics. Among the 203 songs form Fanzilu Helexun Taipingge, there are 60 related to Nankuan. The others are not related to Nankuan. Through the comparison, the researcher has found that although Helexun Taipingge is closed related to Nankuan, it still remained its own individual programs. It has been shown in Mr. Tian Lai Lin's traditional copies (1930) and in Mr. Xian Hua Liao's traditional copies. (1945) This is a phenomenon which is worth paying attention to. |
本系統中英文摘要資訊取自各篇刊載內容。