頁籤選單縮合
題名 | 融入世界戲劇大潮探索與創新--新時期(1977~1989)中國大陸與外國戲劇關係研究=To Seek and Innovate While Blending in the Worldwide Drama Tide: The Relationship between Chinese Mainland and Foreign Drama in New Period (1977~1989) |
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作者 | 胡星亮; | 書刊名 | 中國現代文學 |
卷期 | 20 2011.12[民100.12] |
頁次 | 頁57-69 |
專輯 | 近三十年亞洲華人劇場 |
分類號 | 982.98 |
關鍵詞 | 問題劇; 戲劇觀; 現實主義; 現代主義; 演劇變革; Drama ideas; Problem Play; Realism; Modernism; Stage assumption; Impressionistic Play; |
語文 | 中文(Chinese) |
中文摘要 | 「新時期」被稱為20世紀中國大陸文學藝術的復興期。新時期中國大陸戲劇與外國戲劇的關係,經歷了從最初突破「文革」時期與世界隔絕的完全封閉,到敞開國門、完全開放的歷史發展過程。它所引發的戲劇思潮和創作的主導流向,是問題劇與「解凍」思潮匯流、戲劇觀念的論爭、現實主義的深化、現代主義的探索,以及新的演劇體系的崛起。 |
英文摘要 | "New Period" is usually called the rejuvenation of Chinese Mainland literature and art in the 20th century. In this period, the relationship between Chinese and foreign drama has gone through a historical process which transferred from pure isolation during the "Cultural Revolution" at first to a total open situation to the outside world. Therefore, there has been a leading current in drama ideas and creation. This current mainly concentrates on the dispute between drama ideas, the confluence of Problem Play and "unfreezing" trends, the deepening of realism, the quest of Modernism, the rise of new acting systems and the innovation of "Impressionistic Play". |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。