頁籤選單縮合
題名 | 李漁創作理論及其實踐=Creation Theory and Practice of Li Yu |
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作者姓名(中文) | 陳佳彬; | 書刊名 | 育達通識學報 |
卷期 | 2 2012.01[民101.01] |
頁次 | 頁58-88 |
分類號 | 822.87 |
關鍵詞 | 李漁; 閒情偶寄; 笠翁傳奇十種; 劇本創作; 戲劇理論; 劇場實踐; Li Yu; The Occasional Notes with Leisure Motions; Ten Plays of Li Yu; Creations method; Drama learns; Theater theory; |
語文 | 中文(Chinese) |
中文摘要 | 本論文以《李漁創作理論及其實踐》為題,以《閒情偶寄》及《笠翁傳奇十 種》為主要探討對象,希冀以「創作真實」這一理念,探討李漁劇作及編劇理論之 間的關係,並討論其劇本結構的形式要求。 根據李漁對劇本結構提出的理論與要求,以及《笠翁傳奇十種》的文本分析, 進行四點歸納:論「結構第一」下的「立主腦」說;對戲劇結構形式的選材與要 求;論李漁對傳奇「格局」的劇本佈局常規;李漁對創作的實質媒介要求與掌握, 從李漁創作劇本的「戲劇真實」觀念進行總結。 |
英文摘要 | This thesis is named "Creation Theory and Practice Of Li Yu" discussing mainly through "The Occasional Notes with Leisure Motions" (《閒情偶寄》)and "The Ten Plays of Li Yu"(《笠翁傳奇十種》). "The Occasional Notes with Leisure Motions" create to practice with theater to the manuscript, open whole sex treatise of the Chinese classic drama theories. This thesis aims at the play author, manuscript, director creations, actor creations, view and comments on the, the theater performance, these seven create the true level to the drama to carry on the research respectively. To show the analysis towards Li Yu’s creations, the author composes a collection of atlases for the script and play systems. The five segments of drama creations-script, director, performer, audience, critics, work comprehensively in a systematic way when regarding to the reality in drama creations. As a matter of fact, Li Yu was a pioneer in the field of Chinese drama. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。