查詢結果分析
來源資料
頁籤選單縮合
題 名 | 論藝術本位的文化創意教育=Art-Based Cultural and Creative Education |
---|---|
作 者 | 鄧宗聖; | 書刊名 | 教育資料與研究 |
卷 期 | 105 2012.05[民101.05] |
頁 次 | 頁65-90 |
專 輯 | 文創教育 |
分類號 | 520、520 |
關鍵詞 | 文化創意教育; 藝術本位; 多模式素養; Cultural and creative education; Art-based; Multimodality; |
語 文 | 中文(Chinese) |
中文摘要 | 本文目的在討論藝術本位的實踐特徵,如何想像文化創意教育中的教師角色、課程發展與研究。我們發現,當藝術視為文化創意教育的形式,學生於創作活動中參與文化再製與批判反思,作品可視為學生積極參與自我與社會現實聯繫的建構過程。論述策略上,以文化創意產業的國家政策為背景,批判職業取向的大學教育論述,並將藝術視為文化創意教育的基本主題,闡述藝術如何影響文化創意教育的實踐,進而提出「藝術本位」的觀點,說明教學方法論的意涵,提供有別於職能導向的人才培育論述,想像以藝術本位的文創教育之實踐樣貌。本文認為,在大學的文化創意教育應猶如藝術活動,學生從完成作品中培養美感與轉化情感與社會議題的能力。由於創意關係到社群評價,因此著重自我形塑與發展的社群評鑑。學校與教育工作者生產的是能開展創作活動的場域。就藝術本位觀點來看,儘管不同科系對文化創意的聚焦內容有所差異,但課程應是一組以創作導向的活動,培養學生運用符號的生產文本(文創產品)與非文本(聯繫外界社會關係與價值),教室則是調適社會現實(現有職業)與自我願望(想像的混搭)的「角色建構場」,多模式素養則構成文化創意的基本與進階的能力論述。 |
英文摘要 | Abstract This paper describe the characteristics of art-based concepts into the cultural and creative education, and how to image teacher character, curriculum development and research in these discourse. We discovered, art as a cultural and creative education form with cultural reproduction and critical reflection during student activities for their creation. Creation as constructed process for students to active participate self-experience and social situation in their daily life. In the strategy, the present study positioning "art" as the core element in cultural and creative education and suggests that university-level cultural and creative education should resemble artistic activity. Through the process of creating finished works, students would be able to cultivate their aesthetic sense, while also developing the ability to draw on and transform the power of their emotions, and to address social issues. Given that creativity is connected with evaluation by the community, emphasis is placed on community appraisal that gives particular weight to self-expression and personal development. All of the“production"undertaken by educational institutions and those working in education constitutes a potential field for the development of creative activity. When an art-based perspective is adopted, while there will still be some variation between subjects and departments in terms of the particular aspects of culture and creativity on which they focus, for all of them, the curriculum should incorporate creativity-oriented activities that cultivate students'ability to make use of symbolic production texts (cultural and creative products) and non-text outputs (linked to the social relationships and values of the wider world). The classroom then becomes a location for role-building, which mediates between social reality (existing careers) and the students'ambitions (“mashups"of the imagination); multimodality comes to constitute the discourse of capability (both basic and advanced) for culture and creativity. |
本系統中英文摘要資訊取自各篇刊載內容。