頁籤選單縮合
| 題 名 | 中生代詩歌中的民間寫作--以于堅、伊沙、侯馬等為中心=Nankai University, College of Liberal Arts--Take Yu Jian、Yi Sha、Hou Ma as Examples |
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| 作 者 | 羅振亞; | 書刊名 | 臺北教育大學語文集刊 |
| 卷 期 | 21 2012.01[民101.01] |
| 頁 次 | 頁237-260 |
| 分類號 | 821.781 |
| 關鍵詞 | 1990年代; 民間寫作; 日常口語; 解構; 1990s; Folk writing; Daily oral; Deconstruction; |
| 語 文 | 中文(Chinese) |
| 中文摘要 | 1990年代以來,詩歌界以于堅、伊沙、侯馬等人為代表的「民間寫作」,始終秉承著平民立場,在日常經驗、凡俗生活和事物表像裏開掘詩意,其對平民化情感和生活的演繹背後,常常蟄伏著對歷史、現實積垢的直面與反諷;它或以事物和語言的自動呈現,或以「後口語」的推進,解構象徵和深度隱喻模式,同時以對語言的施暴扭曲、反諷戲擬的起用和對身體寫作的引入,增加解構力度,給詩歌塗抹上了一層超現實的色彩;它在解構中有所建構,堪稱詩壇活力的來源與象徵,但也存在著精品、經典稀少的缺憾,時時停滯於虛空的先鋒姿態中。 |
| 英文摘要 | Since the 1990s, folk writing in the poetry represented by works of Yu Jian, Yi Sha, Hou Ma, etc. was all along adhering to the civilian position and digging poetry implication in everyday experience, mundane life and things appearance. We could always find the irony of history and reality fouling hiding behind the feelings on civilian population and the interpretation of life; it deconstructed the symbolism and depth of metaphor by automatic rendering of things and language, or by the advancement of the post-oral mode, meanwhile, the use of violence and distortions of language, the irony parody and the introduction of body writing increased the deconstruction of intensity and thus made the poetry smeared on a layer of surreal colors; it constructed while deconstructing and became the source and symbol of poetry vitality, however, its stagnation in vanity pioneer posture from time to time brought about the regret of classics scarce. |
本系統中英文摘要資訊取自各篇刊載內容。