頁籤選單縮合
題名 | 從《文心雕龍》論劉勰「文體通變觀」之問題視域=Discussing the Problematic Vision of Liu-Xie "Wen-Ti-Tung Pien-Guan" from Wen-Hsin-Diao-Lung |
---|---|
作者 | 陳秀美; | 書刊名 | 空大人文學報 |
卷期 | 20 2011.12[民100.12] |
頁次 | 頁109-136 |
分類號 | 829 |
關鍵詞 | 劉勰; 文心雕龍; 文體解散; 文質失衡; 問題視域; Dissolution of literary text; Imbalance of literary nature; Problematic vision; |
語文 | 中文(Chinese) |
中文摘要 | 檢視近現代研究「龍學」之成果時,發現學者們常以「靜態化」研 究方式,來探討這部古典文學理論專書;因此容易忽視劉勰「著書 立說」時的問題視域,乃是以一種「動態歷程」的文學觀,來建構 其以「文體」為主的理論架構,因此難以顯現劉勰「通變」文學觀 念中,對於文體架構中所存在之結構與規律的「辯證性」問題。準 此,本文延續2010 年6 月發表於《淡江中文學報》第22 期:〈反思 《文心雕龍》「文體通變觀」之近現代學者的問題視域〉之論題,進 一步預設劉勰心中有一個「文體通變」文學觀,做為他對治當時存 在的文學危機與問題,並且做為他實踐文體理想的核心依據。因此, 本文將藉由《文心雕龍》「文本」中,劉勰自己所陳述之「文體解散」 與「文質失衡」等文學問題為研究焦點,來重新檢視劉勰對當時文 學的「問題視域」,藉由其對「過去」,「現在」與「未來」之文體理 想與文學發展的探討,朗現其「文體通變觀」之文學使命與理想。 |
英文摘要 | Scrutinizing the modern research results of Wen-Hsin-Diao-Lung, we often find out that scholars approach the critical materials on this canonical masterpiece from a “static” angle. This often results in neglecting the problematic vision of the masterpiece, which is based on the “dynamic process” to construct its text-based theoretical structure. Also, this makes it more difficult to unveil the “polemical nature” inherent in the structure and rhythm of Liu-Hsieh’s “dynamic process.” Therefore, this paper is planned to be an extension of the paper already published in the 22nd issue of Tamkang Chinese Journal in June, 2010, further presupposing that there is a literary vision called “Wen-Ti-Tung- Pien-Guan” inherent in Liu’s mind. Liu utilizes this vision to deal with the literary crisis and problems existing then and Liu employs this to actualize his ideals. Based on this, this paper will further explore Liu-Hieh’s “dissolution of literary text” and “imbalance of literary nature” to re-examine and unveil his literary mission and ideals inherent in “Wen-Ti-Tung-Pien-Guan” through exploration of his “problematic vision” toward the “past,” the “present,” and the “future.” |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。