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題名 | 高雄節慶的反省與建議:以城隍廟繞境祭典活動與2010高雄春天藝術節為例=A Retrospection and Suggestion of Kaohsiung Festival--In the Case of City God Temple's Inspection Tour Ritual and Kaohsiung Spring Art Festival 2010 |
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作者 | 鄧文龍; | 書刊名 | 高雄文化研究 |
卷期 | 2010.07[民99.07] |
頁次 | 頁153-191 |
分類號 | 991.7 |
關鍵詞 | 節慶; 體驗; 文化傳承; 文化創意產業; Festival; Experience; Cultural heritage; Cultural and creative industries; |
語文 | 中文(Chinese) |
中文摘要 | 節慶,是每個國家重要的精神指標,代表著一個族群、一個區域或地方的文化特色。由最樸實、原始的雛形,經過不同時代的演變,加入許多新的元素,形塑成充滿各種豐富內涵與特色的文化體,歷經時間的淬煉,依舊在現今社會中屹立不搖。這些代代相傳的風俗、民情、祭祀、慶典……等,構成了一個慎終追遠、鄉土意識濃厚的節慶文化。高雄地區的節慶文化自明鄭、清領時期,大量移民渡海來台,不同族群分類而居,早期風俗習慣延續自中國大陸的意味濃厚,所謂「泉之俗行於泉,漳之俗行於漳」,即可了解當時原鄉文化移植到台灣的情況;然而古代人們為適應大自然,以進行農耕收穫,在長期的農事實踐與經驗累積中,結合了天文與氣候、農業氣象的經驗所創設出來的二十四節氣,其源自於黃河、長江流域,對處於低緯度的海島氣候台灣,並不盡然適用,且台灣雖小,各地有其差異性,因此形成了不同的文化差異。高雄地區就在歷史發展與社會變遷不斷推移的適應下,逐漸形成了節俗活動「在地化」與新興節慶的特色,在飲食文化上也呈現出「南北和」的特徵。當我們進行思考節慶文化的意義時,如何利用博覽節慶,探索各種節慶類型,以體驗文化意涵,是十分重要的。 本文試圖從目前高雄地區的傳統節慶與近年來興起的新興節慶做反省,並對此做出建議如何透過各種民俗、文化、觀光活動,寓教於樂,期許內容能兼顧節慶活動的趣味性與教育性,使民眾體驗在地節慶的意涵,創造體驗式的情境,以強化其對在地鄉土的情感。再者,結合經濟產業與文化傳承的價值,建構高雄文化創意產業,達到弘揚傳統文化,又能適應時代的新趨勢,對民族文化的延續與發展產生凝聚力和向心力,這才是未來高雄節慶的持續發展關鍵。 |
英文摘要 | Festival is an important spiritual index of every country. It represents the cultural feature of an ethnic group, an area, or a place. It starts with the most primitive and original prototype and, by adding lots of other new elements as time evolves, forms a cultural entity that is full of meanings and features. As the cultural entity has been hardened by time, it still persists in the modern society. These customs, opinions, sacrificing to spiritual beings, ceremonies, etc constitute a festival culture of strong local consciousness and a culture that is careful (about their parents) to the end and continue in reverence after (their parents) are long gone. Kaohsiung’s festival culture starts from Ming and Ching Dynasty where lots of immigrants crossing over the ocean to Taiwan. People live according to their different ethnic categories and continue Mainland Chinese customs and habits. As a saying goes: “the customs of Chyuan city can only be practiced in Chyuan city; the customs of Jang city can only be practiced in Jang city.” From this saying, we then can understand the situation of implanting Chinese native culture in Taiwan in that era. However, the implanting suffers difficulties. Take 24 solar terms as an example. 24 solar terms are invented by ancient people originating from the Yellow River and the Long River to adapt to nature for cultivating crops. These solar terms are accumulated from long term agricultural practice and experience, a combination of astronomy, weather, and agriculture meteorology . Nevertheless, they do not match perfectly the weather condition in Taiwan as Taiwan is an island and locates at low altitude. Besides, though Taiwan is small, each place has its unique distinction, and thus has formed different culture. Kaohsiung area, due to its adaption to the historical development and constant movement of social change, starts to form “localized” and “newly-invented” festival activities. In its diet culture, it demonstrates a feature of “north-south combination”. So when we consider the meaning of festival culture, we need to know how to read extensively the festival. That is, to explore different kinds of festival so that we may experience the cultural connotation. This is very important. This article attempts to retrospect the traditional festival and recently popular new festival in Kaohsiung area. I hope to give some suggestionon on how to educate while entertaining via all kinds of folk customs, cultural and sightseeing activities. I expect a festival that can combine both entertaining and educational sides. Citizens can experience the meaning of local festivals as these festivals create an experiencing realm that can reinforce citizens’ emotional attachment to their native land. Besides, I expect Kaohsiung to construct its own cultural and creative industry by combining the value of economic industry and cultural heritage. Not only can cultural and creative industry propagate traditional culture, but it also adapts to this era’s new trend. It’s the way to promote cohesion and attachment to the continuance and development of national culture. That is the key to the continuous development of Kaohsiung festival in the future. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。