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題 名 | 後殖民的亞洲滋味:論也斯與王潤華飲食詩中的文化情境與地方想像=The Culture Maening and Local Imagination of the Poetry on Diet By Ye Si and Wang Yoon-wah |
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作 者 | 劉于慈; | 書刊名 | 中國現代文學 |
卷 期 | 19 2011.06[民100.06] |
頁 次 | 頁215-240 |
分類號 | 821.781 |
關鍵詞 | 也斯; 王潤華; 飲食; 現代詩; 後殖民; 東亞想像; Ye Si; Wang Yoon-wah; Dietary; Poetry; |
語 文 | 中文(Chinese) |
中文摘要 | 食物作為一種象徵,標誌著不同文化的社會脈絡,在滿足口腹之欲外,衍生多樣性的文化指涉,呈現作家們所處的當代文化空間與歷史想像。也斯(1948-)與王潤華(1941-)為同世代詩人,前者之於香港;後者之於新加坡,兩位作家所處的地區,都曾面對英國殖民情境的進入與抽離,探究二者何因應自身的歷史經驗,從飲食詩的角度鋪展後殖民的文學創作,發展特有的東亞/東南亞文學脈絡,是本文所欲關照的面向。飲食詩的敘事策略中,梁秉鈞所要表達的是「香港」作為一個空間載體,融合數個種族、文化在此紮根或轉型,在味蕾的共融裡,拼貼出亞洲的精神圖像,梁氏由香港出發各國旅行,觀察各地的飲食文化,並且反思自身的歷史情境,他的詩作中充滿對多元文化的接受與想像。而王潤華則是將水果擬人化,建構屬於熱帶水果的神話與經典,他在自身的土地上強調國族與主體,認同議題是詩作中的主要訴求,二者皆從後殖民視角出發,卻帶有著非均質性,使得飲食詩的創作同步前進,卻分殊向外,建構東亞/東南亞文學的對話空間。 |
英文摘要 | Food is a symbol that represents the social context of different cultures. It is not only to feed the appetites but also derivative diversity of cultural references which present the writer's cultural space and the historical imagination. Ye Si (1948-) Ruen Hua Wang (1941-) are the same generation poets, the former is in Hong Kong; and the latter is in Singapore. The areas which the two writers have faced the British Colonial dominated and detached. To explore how they spread out the literary creation of Post-colonial perspective from they own historical experience and develop the specific East Asian/Southeast Asian literary context is the key point in this essay.In the description strategy of this poem, Ye Si expresses Hong Kong as the space case, the integration of several ethnic, cultural, or transformation in the root. It collages the spirit images of Asia in the taste buds of the communion. Liang travel from Hong Kong to observe every country's food culture, and reflect on their own historical context, his poems are full of multicultural acceptance and imagination.Ruen Hua Wang use the personification of fruit sucked to construct the myth and classics of tropical fruits. He emphasize on nationalism on his own country. The main demand of the poem is identify issue. Both are based on postcolonial perspective but with heterogeneity. It makes eating poetry develop at the same step but outward manifestations to construct the dialogue literature space of East Asia/Southeast Asia. |
本系統中英文摘要資訊取自各篇刊載內容。