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題名 | Bronzes from Afar Ch'ien-lung's "Hsi-ch'ing Hsü-chien Chia-pien Fu-lu"=十全武功戰利品:乾隆的〈西清續鑑甲編附錄〉 |
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作者 | 余慧君; | 書刊名 | 國立臺灣大學美術史研究集刊 |
卷期 | 31 2011.09[民100.09] |
頁次 | 頁151-204+323 |
分類號 | 793.5 |
關鍵詞 | 乾隆; 西清古鑑; 西清續鑑; 西清續鑑甲編附錄; 青銅器; Ch'ien-lung; Hsi-ch'ing ku-chien; Hsi-ch'ing hsü-chien; Hsi-ch'ing hsü-chien chia-pien fu-lu; Bronze; |
語文 | 英文(English) |
英文摘要 | Ch'ien-lung’s three bronze catalogues, Hsi-ch′ing ku-chien 西清古鑑, Ningshou chien-ku 寧壽鑑古, and Hsi-ch′ing hsü-chien 西清續鑑, documenting a total of 4,115 bronzes, were the most comprehensive reference books on Chinese bronzes until the twentieth century. These three bronze catalogues should be comprehended as one curatorial project lasting for forty-four years, covering roughly three-fourths of Ch'ienlung’s reign. Through this project, the emperor documented his ownership of the oldest creations of Chinese civilization and declared his respect for that long history. While Ch'ien-lung fully consolidated power and his authority became unchallengeable, cataloguing bronzes turned into one of his ways of mapping the great Manchu empire: he included thirty-eight bronzes from afar in “Hsi-ch'ing hsü-chien chia-pien fu-lu 西清續鑑甲編附錄.” Ch'ien-lung thus employed these bronze catalogues to position himself as a sage king who extended the historical depth even as he expanded the geographic scope of his empire. By means of close reading of Ch'ien-lung’s bronze catalogues, especially “Hsi-ch'ing hsü-chien chia-pien fu-lu,” this paper investigates the emperor’s cultural performances—his presentation of bronzes as magical talismans from the utopian past, symbols of dynastic legitimacy, and mementoes of the glorious Manchu Empire. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。