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題 名 | Evil as Dark Necessity in the Moral Framework of Hawthorne's The House of the Seven Gables=論霍桑道德架框中之不可化約之惡:以《七角屋》一書為閱讀範本 |
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作 者 | 李信明; | 書刊名 | 真理大學人文學報 |
卷 期 | 10 2011.04[民100.04] |
頁 次 | 頁179-197 |
分類號 | 874.57 |
關鍵詞 | 霍桑; 紅字; 誌異; 雄渾; 先人之罪; 本惡; 快感; Gothic sublime; Sins of the fathers; Radical evil; Jouissance; The thing; |
語 文 | 英文(English) |
中文摘要 | 在本文中,我想藉由誌異雄渾的美學觀點重新檢驗美國誌異小說家霍桑倫理道德中惡之華的必然性。於此,我將論證霍桑的美學呈現的不只是恐怖的超越顛峰經驗,而且更一進揭示出道德律法中的逾越死亡本能的快感;面對此一斷裂鴻溝,霍桑將先人之罪的矛盾情結昇華,並試圖縫製此一缺口。此一動作,一方面修補了道德律法的不完整性,另一方面藉由逾越後的良知譴責反而加深了律法的強度。因此,我將焦點放置於霍桑的《七角屋》,並藉由拉崗的精神倫理學,去印證霍桑的倫理道德中惡之華的必然性命題是建構於審視律法底層結構中逾越與快感的不可化約關係,並藉此補足了律法空缺並使其完整。 |
英文摘要 | Lacan’s psychoanalytic ethics interprets Kant as speaking, in the Second Critique, of an infinite movement toward a Supreme Good which itself is absent, deontologized, self-negating. For the Kantian moral Law, Lacan says, lies not in the “service of the good” but in the subjective necessity of trying (though it is impossible finally to succeed) to go beyond the pathological, finite being of the subject; thus guilt or sorrow end up as the best or only means of bridging the gap between the subject and the Law. Here I use this as a putative model for Hawthorne’s “gothic sublime,” which I exemplify via a reading of The House of the Seven Gables (1851), a novel (or rather romance) about an ancestral curse, the “sins of the fathers.” Kant’s own transcendental imagination both extends and explores the limit-experience of/beyond the (moral) Law, a Law and also a limit-experience that are necessitated by these sins of the fathers, and Hawthorne’s romance demonstrates how the transgression of the Law may lead to its breakdown and also, closely related to this, to the psychotic disorder, breakdown or fragmentation of the inner law or laws of the subject. |
本系統中英文摘要資訊取自各篇刊載內容。