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題名 | 邊緣發聲--陳黎原住民詩之探析=Edge of the Sound--Analysis of Aboriginal Poetry Written by Chen-Li |
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作者姓名(中文) | 謝孟琚; | 書刊名 | 當代詩學 |
卷期 | 6 2010.12[民99.12] |
頁次 | 頁83-109 |
專輯 | 臺灣詩史專號 |
分類號 | 863.51 |
關鍵詞 | 原住民詩; 擬原住民歌謠; 舞蹈; 神話傳說; Aboriginal poetry; To be indigenous songs; Dances; Myths and legends; |
語文 | 中文(Chinese) |
中文摘要 | 在書寫台灣的詩作中,很多從後殖民的角度切入,再現其被殖民的經驗以及文化霸權所帶來的鴻溝、傷痛及迫害。中生代詩人陳黎,有大量從後殖民背景出發的創作,以溫厚樸質的筆調,書寫殖民帝國對殖民地政治、經濟的剝削以及對殖民地文化上的侵擾、支配及滲透。同時,由於長期居住於花蓮,除了對其邊緣處境表以關懷,更因為長期觀察原住民的文化與生活方式,因此,以花蓮的阿美族及布農族為主,將其於儀式祭典及各種節慶中所呈現的歌謠、舞蹈,以及流傳的傳說神話為創作元素,並以「擬」歌謠的方式,表達對原住民文化的關懷。本文參酌文本分析及文化研究的方法,對陳黎「擬」歌謠的詩作三首與從神話傳說之元素取材的二首詩進行討論,希望從中探討陳黎的「擬」作,是單純的表達對原住民文化的發揚與關注?抑是求其自己在詩作技巧、題材上的變化及突破,因而成為自己獨特關注的觀點?同時「擬」歌謠的詩作對陳黎創作歷程代表有何地位、變化與意義? |
英文摘要 | Speaking of the poetry related to Taiwan, quite a few are focused on from a post-colonial perspective, reproducing the oppressed experiences in the colonial period, as well as the gap,suffering, and torture caused by the cultural hegemonies. Chen-Li, a middle-aged poet, created a large number of poetry in the post-colonial background. In a good-natured style, he described not only the exploitation committed politically and economically by colonial empires, but also their harassment, domination, and infiltration aimed at colonial culture. Besides, because of his long residence in Hualien County, in the east of Taiwan, Chen-Li showed his great consideration for the marginalized situation which the aboriginals had faced. With his long-term observation on the life and culture of Amis and Bunun, which are two main tribes in Hualien, he collected some creative elements originated from their ritual ceremonies, folk songs and dances performed in various festivals, and wide-spreading legends. With the poetry in a style of“similar” ballad, He expressed his concern about the fading aboriginal culture. On the basis of the approaches of textual analysis and cultural study, this paper is aimed to discuss three poems of Chen-Li’s poetry in a style of “similar” balled and two poems originated from the myths and legends. It is expected to discuss and comprehend which motivation of his poetry in a style of “similar”ballad is, either a simple expression of prospering and concerning aboriginal culture, or striving for the change and improvement in his skills and subject matters of poetry so as to become as his own unique of view point? At the same time, it is also expected to discuss what role the poetry in a style of “similar” ballad plays, what change it results in, and what significance it has in Chen-Li’s creation process? |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。