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題名 | 繪製仰山書院〈文昌宮〉假想復原設計圖之省思=A Reflection of Drawing a Blueprint to Restore, in Visualization, Wen-Chang Temple at Yang-Shan College |
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作者 | 林福春; | 書刊名 | 醒吾學報 |
卷期 | 43 2011.01[民100.01] |
頁次 | 頁257-281 |
分類號 | 673.212106 |
關鍵詞 | 寺廟古蹟文物; 蘭陽寺廟文物失竊案例; 仰山書院; 文昌宮; 孔廟; Monuments and artifacts in temples; Thefts of artifacts in the temples of Lan-Yang area; Yang-Shan College; Wen-Chan Temple; Confucius temple; |
語文 | 中文(Chinese) |
中文摘要 | 成立於清代噶瑪蘭廳治時代的蘭陽第一學府──仰山書院〈文昌宮〉,它是由“文昌宮“與“舉子學舍”組成,為蘭陽地區文化的搖籃及人文薈萃之所。然而經過長期風災之後,屋舍傾頹,在無人看管之下,所有舉子學舍悉被居民占為己有,如今僅剩“文昌宮”而已,整體莊嚴格局已遭破壞,如今蘭陽首府成了歷史名詞。諸如此類的事件也一再發生,這對古蹟文物的保存不啻是個警訊! 事實上,造成古蹟嚴重破壞的主因,大都是風災之後擅自將廟體“局部拆卸”或“悉數拆除”。局部拆卸的案例頗多,蘭陽縣級古蹟”─「碧霞宮」〈岳武穆廟〉便是其中一例,它最具古蹟價值的木作入口門樓及左右廂房均被拆除,如今僅留廟體本身而已。至若悉數拆除的案例,最具歷史文物價值的首推「孔廟」,經數度風災後,不經維修,上位者便執意將全廟拆除,並改建成水泥廟,新建的孔廟無論在結構、造型、材質上均與傳統禮制相差甚遠,此事看在「木作薪傳獎」匠師陳合元老師傅的眼中,深感惋惜不已! 除前述之外,令人防不勝防的便是廟文物遭偷竊事件層出不窮,難以磬書,此中尤以“國家民族藝師”及“抗日愛國藝師”的木作雕刻名作,最是歹徒覬覦的目標。是以本文的宗旨乃是欲藉實際案例,呼籲蘭陽地區的居民應省思此一嚴肅課題,共同為保護文化財而努力。 |
英文摘要 | Established in the period of Kamalan Administration in Qing Dynasty, Yang-Shan College (Wen-Chan Temple), the first school in Lan-Yang area, is composed of Wen-Chan Temple and school buildings for disciples, credited with the cradle of culture in Lan-Yan area, where talents and artifacts gathered. Unable to weather the storm over the past hundred years, however, the school buildings were completely devastated and occupied, under no guard, by the local civilians, with Wen-Chan Temple still in existence. Already out of shape in its whole pattern, Yang-Shan College no longer enjoys its reputation for the foremost college in Lan-Yang area. Such a recurrent incident turns out to be a caution to the protection of ancient monuments and artifacts. In fact, the main reason for the serious destruction of ancient monuments is the ways of treating the devastated temples, dismantling them either partly or completely without deliberate consideration. Take for example Bi-Xia Temple (Ye-Wu-Mu Temple), a county-level monument in Lan-Yang area, it remains as it used to be in the main body, with gatehouses and left/right wings torn down. On the other hand, in the wake of countless violent storms, the time-honored Confucius Temple was completely dismantled without renovation and replaced with a brand-new temple made of cement, which is far from being traditional in structure, pattern, and material. Viewing this, Chen, Ho-Yuan, the senior master in woodcarving and the winner of heritage award laments the massive changes. In addition, it occurs that the artifacts kept in temples are often stolen, among which those masterpieces created by national artists and anti-Japanese patriotic artists are the targets of thieves. In this regard, this writer would like to call on our civilians in Lan-Yang area to face this grave issue and make concerted efforts to protect our cultural property. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。