頁籤選單縮合
題 名 | 敘事與救贖:晚明《誦念珠規程》圖像中的與神聖會遇=Narratives and Redemption: Encountering with the Holy in the Image of Song Nianzhu Guicheng in Late Ming |
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作 者 | 蔡秀卿; | 書刊名 | 哲學與文化 |
卷 期 | 37:11=438 2010.11[民99.11] |
頁 次 | 頁125-139 |
專 輯 | 士林哲學在中國 |
分類號 | 244.6 |
關鍵詞 | 圖像與敘事; 敘事行動; 失樂園敘事; 復樂園敘事; 故事時間; 敘事轉向; Image and narratives; Narrative action; Narrative of paradise lost; Narrative of paradise return; Story time; Narrative turn; |
語 文 | 中文(Chinese) |
中文摘要 | 本文主要以晚明時期中西文化會遇下的宗教藝術美學為議題,經由《誦念珠規程》圖像文本之圖像與敘事之探討,指出其在地風格所形構而成的特殊敘事性,與西方基督宗教圖像藝術之敘事及結構具有緊密相連的內在聯繫。文章將借呂格爾(Paul Ricoeur, 1913-2005)敘事詮釋學所獲啟發,來討論下列議題。一是比內在聯繫的形構如何成為貫穿所欲討論作品的中心主題,即「彌賽亞降世」在歷史時間中的臨在,文脈將根據其時間與敘事,進行文本之象徵及指涉之論述,其次針對此文本中西融合的風格,所展陳出的「圖像」意義,對固有基督宗教圖像美學價值,是否有所轉化及續存,以及探討其中的請者作用問題。 |
英文摘要 | This paper is a study of religious art under the encounter of Chinese and Western culture in late Ming dynasty. In terms of discussing image and narrative of the subjected image text of Song nianzhu, guicheng(《誦念珠規程》) that constituted by its famous Chinese style, its close link with one of conventional Christian iconology will be explored. To apply Paul Ricocur's theory of 'three folded mimesis', two issues to be focused are: 1) How does the inner link configures the subjected topic of ”the incarnation of Messiah” presenting in history? More over, to disclose idea and reference of the image text based on its time and narrative. 2) To discuss the meaning of this image text interwoven with East and West style, its change and continuity toward to Christian aesthetics as well as to the discourse of readers' response. |
本系統中英文摘要資訊取自各篇刊載內容。