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題 名 | 〈聲無哀樂論〉繼承傳統之下的轉變及其在思想史上的意義=The Transformation under Inheriting the Traditional Arguments in "Sheng Wu Ai Le Lun", and Its Meaning in the History of Chinese Thought |
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作 者 | 蕭裕民; | 書刊名 | 國文學報 |
卷 期 | 45 2009.06[民98.06] |
頁 次 | 頁57-80 |
分類號 | 910.1 |
關鍵詞 | 嵇康; 聲無哀樂論; 魏晉思想; 心與物; Ji Kang; Wu Ai Le Lun; The thought of the Wei-Jin period; Xin and Wu; |
語 文 | 中文(Chinese) |
中文摘要 | 嵇康的〈聲無哀樂論〉在中國音樂美學史上具有相當的地位,亦是魏晉思想中重要的論著。不同於針對其異於傳統的觀點來擴大討論其美學意涵,本研究透過對於原典的詳細分析推論,指出其所討論的主題與結論大部分是承繼傳統。而其異於傳統的心聲二物之論,其背後更基礎的概念,是相對於前人而言較為清晰的「心/物」區分。此於思想史上的意義,是將「物」的世界從籠罩於「人」之下的世界中劃分出來,為魏晉思想一個值得留意的面向,而〈聲無哀樂論〉乃是其中的一個呈現。 |
英文摘要 | Ji Kang's(嵇康)"Sheng Wu Ai Le Lun"(聲無哀樂論) is an important article in aesthetics of Chinese music and in the thought of Wei-Jin(魏晉) period. Different from discussing the special arguments of "Sheng Wu Ai Le Lun" to interpret its aesthetic meanings, by means of detailed analyzing the texts it will be pointed out that many themes and conclusions discussed in "Sheng Wu Ai Le Lun" inherit the traditional arguments. And his new argument about the separation of the ”sheng”(聲) from “xin”(心) are based on the more clear separation of the “wu”(物) from “xin”. Its significance in the history of Chinese thought is that the world of “wu” is separated from the world fully enveloped in human meanings. |
本系統中英文摘要資訊取自各篇刊載內容。