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題 名 | 絹本畫心小托的材料與方法--以「宋人畫采芝仙」為例=Materials and Techniques of Initial Lining on Silk Paintings: A Case Study of "Tsai Zhi Xian by Song Dynasty Artist" |
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作 者 | 洪順興; | 書刊名 | 文化資產保存學刊 |
卷 期 | 11 2010.03[民99.03] |
頁 次 | 頁75-88 |
分類號 | 940.25 |
關鍵詞 | 宋人畫采芝仙; 修復; 裝裱; 小托; 命絹; 命紙; Tsai Zhi Xian by Song Dynasty Artist; Restoration; Mounting; First lining; Backing silk; Backing paper; |
語 文 | 中文(Chinese) |
中文摘要 | 國立故宮博物院所藏佚名「宋人畫采芝仙」圖軸,因折痕、破損嚴重與全色造成變色,已不 適合展出,必須重新裝裱。裝裱過程中,小托是一項非常重要的工序,會影響文物未來的保存。 修復過程中發現本幅小托使用「網網絹」為命絹,命絹四周背後又有加固一層不規則網網絹。本 文透過歷代裝裱文獻與現代裝裱所使用的小托材料及方法加以探討,發現以絹為命絹小托,有其 裝裱、修復上的優點,但經過比較後認為以楮皮紙與宣紙作為本幅畫心的小托材料較佳,在最後 裝裱與展示達到「厚薄勻調,潤潔平穩」之標準。 |
英文摘要 | "Tsai Zhi Xian by Song Dynasty Artist" is a silk painting hanging scroll in the collections of the National Palace Museum. The painting had to be remounted because of serious creases, damaged parts, and inappropriate in-painting, leaving the paintig unsuitable for exhibition. During remounting, initial lining is a very important technique that will have an effect on the future of the restoration. Usually paper is used as the first lining material – the so-called backing paper. In this restoration "Wang Wang silk" was used as the initial lining and also as a support around the painting. "Wang Wang silk" is a thin textile. There are many initial lining materials mentioned in historical documents on mounting and this article discusses the various advantages and disadvantages of using silk as a first lining material. As discussed in the book Records of Historical Famous Painting written by Zhang Yan-Yuan during the Tang Dynasty, to achieve an even thickness, immaculate and smooth surface are prerequisites of an excellent scroll. Accordingly, this case-history chooses kozo and xuan paper as the first lining materials since they are better than the original material. |
本系統中英文摘要資訊取自各篇刊載內容。