查詢結果分析
來源資料
頁籤選單縮合
題名 | 從反思中國文學「抒情傳統」之建構以論「詩美典」的多面向變遷與叢聚狀結構=Reflecting on the Establishment of Chinese Literature's "Lyrical Tradition" in Order to Discuss the Multidimensional Transition and Clustered Structure of the "Poetic Aesthetics" |
---|---|
作者 | 顏崑陽; | 書刊名 | 東華漢學 |
卷期 | 9 2009.06[民98.06] |
頁次 | 頁1-47 |
分類號 | 821.8 |
關鍵詞 | 抒情傳統; 詩美典; 變遷; 結構; Lyrical tradition; Poetic aesthetics; Transition; Structure; |
語文 | 中文(Chinese) |
中文摘要 | 一九六○年代,旅美漢學家陳世驤提出中國文學「抒情傳統」之說。其後,接續者甚多,已形成論述譜系。這種說法,乃建立在中西比較文學「平行研究」的架構上,從而突顯中國文學的特質,其正面價值應予肯定;然而,也相對的造成某些負面的影響:一則這種說法乃是一種「覆蓋性的大論述」,遮蔽了我們對中國文學之多元性的詮釋視域;二則這種說法隱涵著單一線性的文學史觀,將體類分殊的中國文學簡化為一種「孤樹狀的結構圖式」。本論文針對這樣的負面影響,進行反思、批判,並且提出另向的詮釋與重構。主要的論點是:中國古代的詩歌「美典」(aesthetics),乃呈現了多面向的變遷以及叢聚狀的結構。 |
英文摘要 | In the 1960s, Sinologist 陳世驤 established "lyrical tradition" among Chinese literary critique. Afterward it became a genealogical discourse that was inherited by many scholars. This discourse relys on "parallel studies" in East/West comparative literature studies in order to highlight the distinguishing characteristic of Chinese literature. The positive value of this study is unquestionable. However, it causes some effects influence: Firstly, this statement is a kind of "Coverage Of Grand Narrative" that overlay the multiple horizons of the Interpretations on Chinese Literature; Secondly, the statement implies unitary linear view of literary history which simplifies Chinese literature to an "Isolated Tree stat Structure". After reflecting on and criticizing the negative influence, and reestablishing a different way of interpretation, I argue that: Chinese ancient poetic "aesthetics" presents multidimensional transition and clustered structure. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。