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題 名 | 布萊希特與電影--二十世紀前半葉的發展=Brecht and Film: The Relationships from 1898 to 1956 |
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作 者 | 耿一偉; | 書刊名 | 戲劇學刊 |
卷 期 | 10 2009.07[民98.07] |
頁 次 | 頁59-78 |
分類號 | 987.3 |
關鍵詞 | 卓別林; 疏離效果; 好萊塢; 馬克思主義; 默片; Chaplin; V-effects; Hollywood; Marxism; Silent film; |
語 文 | 中文(Chinese) |
中文摘要 | 布萊希特與電影的關係,一直沒有得到應得的注目。布萊希特的成長與德國電影的茁壯是同步的,從年輕時代開始,布萊希特就沒有放棄過寫電影劇本,直到他過世前,還試圖將《勇氣母親》改拍成電影。本文除了探討歷史面的關聯外 (電影劇本創作、《三便士歌劇》訴訟、共產主義電影《三便士歌劇》與好萊塢生涯等),並從互為媒介性的角度,分析布萊希特對電影工業的看法,檢視他把電影置入劇場以創造疏離效果的構想,以及其劇場美學中所暗藏來自默片的影響。 |
英文摘要 | As an obscure subject in Brecht studies, this thesis tries to analyze the relationships between Brecht and Film. When the rare materials about his writing on films published in 1967, people could see that the role of film in Brecht's life is stronger than we thought. The discussing will focus on his films scripts first, then the Threepenny Lawsuit, the making of Kuhle Wampe, and his bitter life in Hollywood. Besides the historical material, we also exam Brecht's critics about film industry, how did he use film as V-Effects in his epic theatre, and the influence from silent film in his play writing. Use the concept of Intermediality, we can see Brecht's theatrical aesthetics in new light. |
本系統中英文摘要資訊取自各篇刊載內容。