頁籤選單縮合
題 名 | 從構圖形式特性看陳其寬繪畫的求變與創新=Study on the Inventiveness and Changeableness Through the Character of the Composition in Chen Chi-Kuan's Paintings |
---|---|
作 者 | 黃梅香; | 書刊名 | 現代美術學報 |
卷 期 | 16 2008.11[民97.11] |
頁 次 | 頁97-129 |
分類號 | 940.98 |
關鍵詞 | 狹長形結構的畫幅; 高空鳥瞰式的轉動造景; 對稱反置的構圖; Narrow and long rectangular composition; Dynamic and bird-eye view; Symmetrical and contrast composition; |
語 文 | 中文(Chinese) |
中文摘要 | 具建築專業背景的陳其寬,躋身中國水墨畫領域的初衷與目標,是要開拓中國水墨的嶄新面貌,其中,獨特的構圖形式,是陳其寬繪畫作品中最吸引人與創新的關鍵所在。他的繪畫構圖形式特性,依筆者的研究發現,包括:(一)狹長形結構的畫幅、(二)高空鳥瞰式的轉動造景、(三)對稱反置的構圖、(四)建築造型與空間。 本論文研究,主要透過陳其寬在世時第一手的珍貴訪談記錄,輔以相關之美術心理學、美學與風格分析等方法,進行研究論述。 |
英文摘要 | Equipped with Professional Architectural training and practice, Chen Chi-Kuan had painted Chinese Ink painting in order to explore the boundary of Chinese Ink Painting. The key point and the most appealing element among his invention is his unique form of composition. This study analyses his forms of the composition as follows: 1. Narrow but Long Rectangular 2. Dynamic and Bird-eye View 3. Symmetrical and Contrast 4. Architectural Form and Space. This study is accomplished through interview with the artist before the artist had passed away. The methodology of Psychology of Art, Aesthetics and Analysis of Artistic Style are employed to discuss the topic. |
本系統中英文摘要資訊取自各篇刊載內容。