頁籤選單縮合
題 名 | 舞臺與電影的交界:論勞倫斯.奧立佛與肯尼斯.布萊納的莎劇電影實驗=The Intergration of Theatre and Film: The Experimental Shakespeare Films of Laurence Olivier and Kenneth Branagh |
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作 者 | 朱靜美; | 書刊名 | 戲劇學刊 |
卷 期 | 6 2007.07[民96.07] |
頁 次 | 頁101-119 |
分類號 | 987.941 |
關鍵詞 | 莎劇表導演; 莎劇電影; 勞倫斯.奧立佛; 肯尼斯.布萊納; Shakespearean acting; Shakespearean film; Laurence Olivier; Kenneth Branagh; |
語 文 | 中文(Chinese) |
中文摘要 | 勞倫斯‧奧立佛 (Laurence Olivier) 和肯尼斯‧布萊納 (Kenneth Branagh) 是二十世紀英國最著名的莎劇電影導演。出身於正統皇家莎士比亞劇團的兩人,雖然在電影風格與細節詮釋不盡相同,但都呈現一大特色──即將舞台和電影兩種美學兼容並蓄地融合於其莎劇電影作品之中;這兩種美學不僅不互相制約,反而給予他們更大的自由實驗空間。他們的出身背景有別於一般電影出身、缺乏舞台表演經驗的導演,所導的電影保有濃厚的莎劇原著精華,並且不斷出現類似「舞台劇」的場景畫面。濃厚的舞台劇風格與電影空間交相並置,互相指涉,形成有趣的後設風格,讓人無法忽視舞台演出在他們莎劇電影裡的存在。 本文的核心是分析兩位導演如何創發出一種將舞台與電影兩個不同媒體的美感均衡呈現的"classic"莎劇電影類型,筆者將從「戲劇與電影反身性空間」與「場面調度」這兩個面向,來比較兩位導演處理藝術跨界的手法及企圖,以及如何成功地保留莎翁作品中獨特的詩意。 |
英文摘要 | Laurence Olivier and Kenneth Branagh are the most renown British Shakespearean film directors in the twentieth century. With the solid training of Royal Shakespeare Company, both gained wide recognition by playing the leading roles in Hamlet, Othello, Richard III, and Henry V, and further took up directing of Shakespeare films. Although Olivier and Branagh handled Shakespearean films with different styles and interpretations, their works shared some common characteristics: mixing stage and cinematic aesthetics in the films; the two categories of aesthetics not only didn't conflict but made room for larger, freer experimentations. Furthermore, given that their backgrounds are distinct from other film directors without stage performing experience, the movies they made retain the essence of the original plays, and scenes similar to "stage plays" keep recurring. Interweaving of the stage style and cinematic space results in cross-reference and leaves a clear print of stage performance on their Shakespearean films. The focus of this paper is to analyze how the two directors invented a "classic" Shakespearean film genre through balancing the aesthetics of the stage and the film as two different media. I will compare their purposes and approaches of dealing with interdisciplinary arts and how they successfully preserve the unique poetic elements of Shakespeare through the discussion of two main issues: "the self-reflexive space of the interwoven stage and cinema," and "mise-en-scene." |
本系統中英文摘要資訊取自各篇刊載內容。