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題名 | 曼陀羅的生命旅行:賴聲川《如夢之夢》的後設劇場表演=Mandalian Life Journey through the Metatheatrical Performance in Stan Lai's A Dream Like a Dream |
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作 者 | 張文誠; | 書刊名 | 戲劇學刊 |
卷期 | 5 2007.01[民96.01] |
頁次 | 頁25-53 |
專輯 | 賴聲川劇場藝術專輯 |
分類號 | 982.6 |
關鍵詞 | 曼陀羅; 生命旅行; 後設劇場; 集體重複; 創傷記憶; 儀式演出; Mandala; Life journey; Metatheatrical performance; Collective repetition; Traumatic recollection; Ceremonial spectacle; |
語文 | 中文(Chinese) |
中文摘要 | 賴聲川執導的《如夢之夢》於2000年5月18日及19日在國立藝術學院(現為國立臺北藝術大學)首演,旋即獲得劇場界一致的好評,不但在臺灣的劇場史裡拓展全新的創作面向,同時也以集大成之姿樹立其不可磨滅之里程碑。 本論文將透過《如夢之夢》的後設劇場形式,檢視此劇所採的曼陀羅生命旅行之架構,探討其傳達的宗教意涵、歷史再現及創傷記憶等面向。 本文首先將探討賴聲川如何將曼陀羅的宗教象徵應用在情節及舞台之上,使其宗教符號真象化,進一步利用此環形舞台製造出歷史並置的效果;而劇中人物的集體歷史與個人愛情故事均按固定的形式重現,也造成集體重複的效果。 其次將討論此劇中與歷史緊密聯繫的創傷記憶,藉由演員舞台上本尊與分身的多層次回憶表演,「演出」創傷場景,「再現」烙印於人物心中的傷痕歷史事件。 本文總結將從此劇後設表演的三個面向出發,分別是戲中戲的結構、自覺意識的角色扮演,以及儀式化的演出,探討此演出的後設劇場形式,打破現實與虛幻的疆界、暴露戲劇的人為本質,讓觀眾參與一場後設劇場的表演,共同進行永恆無止盡的曼陀羅生命之旅。 |
英文摘要 | A Dream Like a Dream (Rumeng zhi Meng), directed by Stan Lai, was given the première at National Institute of the Arts (Taipei National University of the Arts) on May 18 and May 19, 2000. The performance, applauded by the critics immediately, not only explored the possibility of theatrical productions but also set up a milestone of Taiwanese theatre. Through the metatheatrical performance of A Dream Like a Dream, this thesis aims to examine the structure of mandalian life journey by exploring the religious belief, the historical representation, and the traumatic memory. First I explore how Stan Lai adopts the religious symbol of mandala in the plot and on the stage and how he uses the encircling stage to produce the effect of historical juxtapositions. Besides, both collective history and personal love story are reproduced in a fixed form, resulting in the effect of collective repetition. Then I deal with the traumatic recollections related closely to the history. By actors' playing characters and these characters' doubles, the stage work acts out the traumatic scenes as well as represents the historical events carved in the characters' minds. Finally I look into the metatheatricality from three aspects: structure of a play-within-aplay, self-conscious role-playing, and a ceremonial spectacle. The stage work breaks the difference between reality and illusion, exposes theatrical artificiality, and encourages the audience to take part in this etatheatrical performance. A Dream Like a Dream leads the spectators to an endless mandalian life journey. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。