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來源資料
頁籤選單縮合
題名 | 論清初才子佳人小說的「偽世情書」性格--關於魯迅小說類型概念的省思=The False Secular Novel Character of Early Qing Dynasty in the Caizi Jiaren Novels--Reflecting on Lu Xun's Typies of Novels |
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作者姓名(中文) | 胡衍南; | 書刊名 | 國文學報 |
卷期 | 42 2007.12[民96.12] |
頁次 | 頁207-235 |
分類號 | 820.97 |
關鍵詞 | 才子佳人小說; 世情小說; 偽世情小說; Caizi Jiaren novels; Gift scholar and talented beauty novels; The secular novel; The false secular novel; |
語文 | 中文(Chinese) |
中文摘要 | 《金瓶梅詞話》將通俗化的、趣味化的、消費性格強烈的世態人情書寫,帶向最大膽直接、具體而微、鉅細靡遺的自然主義寫作極端上。一般認為,清初才子佳人小說和《紅樓夢》,則是選擇相反的條路線──即面對《金瓶梅詞話》的徹底的「俗」,選擇走向它的對立面建立一個徹底的「雅」的世界。然而由於才子佳人小說的文雅風流大抵緣於想像,它在棄絕真實人生的同時,就註定無法企及《企瓶梅詞話》和《紅樓夢》的藝術高度。而才子佳人小說與《金瓶梅詞話》、《紅樓夢》之間,所以存在似有若無的聯繫,主要關鍵就在於它的「偽世情書」性格。 |
英文摘要 | Gin Ping Mei Tzu Hwa brings the popular, interesting, consuming writing about secular to the extreme way of naturalism that is bold, small but complete. It is said that The Dream of the Red Chamber and Caizi Jiaren (gifted scholar and talented beauty) novels’ writing way is opposite to Gin Ping Mei Tzu Hwa in the early Qing dynasty; facing the fully popular way, they go to the opposed side and build the entirely classical world. However, the Caizi Jiaren novels featured of cultured and elegant demeanor derive from imaginary, which is bound to be far way from high art of Gin Ping Mei Tzu Hwa and The Dream of the Red Chamber as giving up the real life. And it is Caizi Jiaren novels’ false secular that we see a little bit of relationships among them. |
本系統之摘要資訊系依該期刊論文摘要之資訊為主。